Peter Blake - Artists - Garth Greenan Gallery (2024)

Late Period: Party #1, 2018
Watercolor and gouache on paper
22 1/4 x 30 inches

Peter Blake - Artists - Garth Greenan Gallery (1)

Self-Portrait with Badges, 1961
Oil on canvas
68 5/8 x 48 inches

Born in Dartford, Kent in 1932, Peter Blake was aleading figure of the British Pop scene in the 1960s.Living and working in London today,Blake continues pushingthe boundaries of what—and whom—this predominantly New York-based movement could include.

After completing his national service with the Royal Air Force in 1953, Blake enrolled at the Royal College of Art. There,he studied alongside other leading figures based in London, such as David Hockney, R.B. Kitaj, and Joe Tilson. After graduating, the artist began mining mass media and advertising imagery to create homages to the specific genre of popular culture present in Britain. For example, along-time aficionado of wrestling, Blake not only painted portraits of his favorite athletes, but also collected posters, dolls, photographs, and various dioramas of fighters engaged in combat.He is perhaps most well known for creating the iconic cover of The Beatles' 1967 album,Sgt. Pepper’s Lonely Hearts Club Band.In both early and mature work, the spirit of a vanguard artist—whose collages, paintings, and assemblages remain amongst the most celebrated of our time—is easily visible.

Throughout his career, Blake has been the subject of 56 solo exhibitions, including ten at Waddington Custot Gallery (1969, 1972, 1977, 1978, 1990, 2005, 2010, 2012, 2015, 2016, 2018, London), four at Galerie Claude Bernard (1984, 1995, 2009, 2016, Paris) and three at Wetterling Gallery (1990, 2006, 2012, 2016, Gothenburg and Stockholm). In 1983, Tate Gallery mounted Blake’s first career retrospective which travelled on to the Kestner Gessellschaft in Hanover. In 2007, the Tate Liverpool presented a second retrospective of Blake’s work which would tour on to the Museo de Bellas Artes de Bilbao.

Peter Blake - Artists - Garth Greenan Gallery (2)

Little Lady Luck, 1965
Mixed media on board
35 1/2 x 14 3/4

Peter Blake’s work has been featured in many landmark museum exhibitions, such as:British Art Today(1962-1963, San Francisco Museum of Art; 1963, Dallas Museum of Contemporary Art, Santa Barbara Museum of Art),London: The New Scene(1965, Walker Art Center, Minneapolis, Washington Gallery of Modern Art; Institute of Contemporary Art, Boston; Seattle Art Museum Pavillion; Vancouver Art Gallery; Art Gallery of Toronto; National Gallery of Canada, Ottowa),British Drawings: The New Generation(1967, Museum of Modern Art, New York),European Painting in the 70s(1975-1976, Los Angeles County Museum of Art; 1976, St. Louis Art Museum; Elvehjem Art Center, Madison, Wisconsin),Forty Years of Modern Art(1986, Tate Gallery, London) andRevolution: Art of the Sixties from Warhol to Beuys(1995, Museum of Contemporary Art, Tokyo).

Most recently, Blake’s work appeared inPop to Popism(2014, Australia’s Art Gallery of New South Wales),International Pop, (2015–2016, Walker Art Center, Dallas Museum of Art, Philadelphia Museum of Art) andPOP! Art in a Changing Britain(2018, Pallant House Gallery, Chicester)

Peter Blake - Artists - Garth Greenan Gallery (3)

Marcel Duchamp's World Tour: Playing Chess with Tracey, 2005
Acrylic on canvas
36 x 48 inches

PETER BLAKE

Lives and works in London

1932
Born in Dartford, Kent, United Kingdom


EDUCATION

1946–1949
Gravesend Technical College and School of Art, Kent

1949–1951
Gravesend School of Art, Kent

1953–1956
Royal College of Art, London

TEACHING

1964–1976
Royal College of Art, London

SELECTED SOLO EXHIBITIONS

1962
Peter Blake: New Works, Portal Gallery, London, October 17–November 17

1965
Peter Blake, Robert Fraser Gallery, London, October 20–November 27

1969
City Art Gallery, Bristol
Leslie Waddington Prints, London
Robert Fraser Gallery, London

1970
Ashgate Gallery, Farnham, United Kingdom

1972
Peter Blake: Watercolours and Drawings, Waddington Galleries, London, December 5–23

1973–1974
Stedelijk Museum, Amsterdam; Kunstverein Hamburg, Germany; Gemeentemuseum, Arnhem, Netherlands; Palais des Beaux-Arts, Brussels, Belgium

1977
Peter Blake: Souvenirs and Samples, Waddington and Tooth Galleries, London, April 26–May 21

1978
Waddington Graphics, London

1979
Peter Blake, Waddington Galleries, London, April 3–May 1
Bohun Gallery, Henley-on-Thames, United Kingdom

1980
Galleria Documenta, Turin

1983
Peter Blake, Tate Gallery, London, February 9–March 20; Kestner Gesellschaft, Hanover, Germany, April 22–June 12

1984
Peter Blake, Galerie Claude Bernard, Paris, September 29–November 10

1986–1987
Turnpike Gallery, Leigh, United Kingdom
Watermans Art Centre, Brentford, Middlesex, United Kingdom

1988
Nishimura Gallery, Tokyo

1990
Peter Blake: In Homage to Marilyn Monroe, Waddington Galleries, London, March 28–April 21; Wetterling Gallery, Gothenburg, Sweden, May 17–June 17

1992
Eric Clapton, Peter Blake: 24 Nights, Govinda Gallery, Washington, D.C., October 16–November 14

1995
Peter Blake: Paintings and Watercolors, Galerie Claude Bernard, Paris, May 18–June 1

1996–1997
Now We Are 64: Peter Blake at The National Gallery, The National Gallery, London, September 25, 1996–January 5, 1997; Whitworth Art Gallery, Manchester, January 11–March 9, 1997

1999
A Cabinet of Curiosities from the Collections of Peter Blake, Morley Gallery, London

2000
Peter Blake: About Collage, Tate Liverpool, United Kingdom, April 7, 2000–March 4, 2001

2001–2009
Peter Blake: Alphabet, United Kingdom

2002
Sir Peter Blake / And Now We Are 70, Paul Morris Gallery, New York,November 16–December 21

2003
The Use of Speech II, Artiscope, Brussels, April–May
Peter Blake: Sculpture, The London Institute Gallery, London, November 10–December 19
Peter Blake: Commercial Art, The London Institute Gallery, London

2005
Peter Blake: 1–10 (Collages, Constructions, Drawings & Sculpture) & The Marcel Duchamp Paintings, Waddington Galleries, London, October 19–November 12

2006
With a Little Help, Spring Fine Art, Design and Antiques Fair, London, March 1–5
Peter Blake: 1975–2005, Bjorn Wetterling Gallery, Stockholm, Sweden, March 9–April 13
Peter Blake: New Prints and Sculpture, Harley Gallery, Welbeck, United Kingdom, October 28–December 24

2007–2008
Peter Blake: A Retrospective, Tate Liverpool, United Kingdom, June 29–September 23, 2007; Museo de Bellas Artes de Bilbao, Spain, March 3–June 22, 2008

2008–2009
Peter Blake, Galerie Thomas Levy, Hamburg, Germany, November 11, 2008–January 9, 2009; Lorenzelli Arte, Milan, Italy, January 19–February 21, 2009

2009
Peter Blake’s Polaroids, Opus Art, Newcastle upon Tyne, United Kingdom, June 20–August 1

2009–2010
Galerie Claude Bernard, Paris, October 24, 2009–January 5, 2010

2010
Homage 10 × 5: Blake’s Artists, Waddington Galleries, London,November 17–December 23

2011
Peter Blake: World Tour, Mary Ryan Gallery, New York, April 14–June 18
Peter Blake: A Museum for Myself, Holburne Museum, Bath, United Kingdom, May 14–September 4

2012
Blake’s Artists and Other Collages, Wetterling Gallery, Stockholm, Sweden, February 10–March 24
Peter Blake and Pop Music, Pallant House Gallery, Chichester, United Kingdom, June 23–October 7
Peter Blake: Rock, Paper, Scissors, Waddington Custot Galleries, London, November 21–December 15

2013
Peter Blake: A Celebration, Bohun Gallery, Henley-on-Thames, United Kingdom, February 5–March 2
Peter Blake: Four Decades, Chelsea Futurespace, London, May 15–July 28

2013–2014
Llareggub: Peter Blake illustrates Dylan Thomas’s Under Milk Wood, National Museum of Wales, Cardiff, November 23, 2013–March 16, 2014

2015
Peter Blake: Portraits and People, Waddington Custot Galleries, London,November 24–January 30

2016
Peter Blake’s Grand Tour, The Harley Gallery, Worksop, United Kingdom, March 20–May 6
Peter Blake: Alphabets, Letters and Numbers, De La Warr Pavilion, Bexhill on Sea, United Kingdom, August 13–November 27
Sir Peter Blake, Porthminster Gallery, St Ives, United Kingdom, September 10–October 29
Peter Blake: Once Upon a Time, Wetterling Gallery, Stockholm, Sweden, August 25–October 1
Galerie Claude Bernard, Paris, October 14–November 26

2017
Be Magnificent: Walthamstow School of Art 1957- 1967, William Morris Gallery, London, June 9–September 10

2018
The Alphabet Suites, Bohun Gallery, Henley-on-Thames, United Kingdom, March 5–April 14
Peter Blake, Galerie Thomas, Munich, Germany, June 22–September 1
A Life in Drawings and Watercolours, Waddington Custot, London, July 5–September 8

2019
Pick of the Pops, Wolverhampton Art Gallery, Wolverhampton, United Kingdom February 2–September 1
Peter Blake: The Artist’s Studio, Garth Greenan Gallery, New York, April 11–May 18
Peter Blake: Joseph Cornell’s Holiday, Wetterling Gallery, Stockholm, Sweden, October 3–November 2
Peter Blake: Multiplicity, Lemon Street Gallery, Truro, UK, November 19–December 7

2021
Peter Blake: Time Traveller, Waddington Custot, London, June 18–August 13

2022
Peter Blake: Under Milk Wood, a play by Dylan Thomas, Waddington Custot, London, June 11–July 23

2023–2024
With Love, Peter Blake, Mucciaccia Gallery, Rome, Italy, October 19, 2023–January 20, 2024

2024
Peter Blake: Sculpture and Other Matters, February 20–April 13
Peter Blake: With Love, Mucciaccia Gallery, Singapore, May 15–July 21


SELECTED GROUP EXHIBITIONS

1954
Royal Academy Summer Exhibition, Royal Academy of Arts, London,May 1–August 15

1955
The Observer Exhibition of Portraits of Children, RWS Galleries, London, June 5–25
Daily Express Young Artists’ Exhibition, New Burlington Galleries, London, April 20–May 21
Paintings by Tutors and Students at the RCA, Exeter

1958
Five Painters (with John Barnicoat, Peter Coviello, William Green and Richard Smith), Institute of Contemporary Arts, London
The Guggenheim Painting Award 1958: British Section, Whitechapel Art Gallery, London,January 9–February 8
The Guggenheim Painting Award 1958: British Section, Whitechapel Art Gallery, London, May 16–June 1

1960
Theo Crosby: sculpture, Peter Blake: objects, John Latham: libraries, Institute of Contemporary Arts, London, January 7–30
Grass by Tony Gifford and Gold by Peter Blake, New Vision Centre, London, January 18–February 6
Peter Blake, Roddy Maude-Roxby, Ivor Abrahams, Portal Gallery, London, March–April
The Mysterious Sign, Institute of Contemporary Arts, London, October 26–December 3

1961
British Painting Today and Yesterday, Arthur Tooth and Sons, London, June 22–July 27
Pauline Boty, Peter Blake, Christine Porter, Geoffrey Reeve, AIA Gallery, London, November 30–December 29
John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool, United Kingdom

1962
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 5–August 26
New Approaches to the Figure, The Arthur Jeffress Gallery, London, August 28–September 28
International Exhibition of the New Realists, Sidney Janis Gallery, New York, October 31–December 1
Towards Art?: The contribution of the RCA to the Fine Arts 1952–62, Royal College of Art, London, November 7–December 1

1962–1963
British Art Today, San Francisco Museum of Art, November 13–December 16, 1962; Dallas Museum of Contemporary Arts, January 15–February 17, 1963; Santa Barbara Museum of Art, March 7–April 7, 1963

1963
Drawings by Artists of Two Generations, Grabowski Gallery, London, February–March
British Painting in the Sixties, Whitechapel Art Gallery, London, June 1–30
Troisième Biennale de Paris, Musée d’Art Moderne, Paris, September 28–November 3
Dunn International Exhibition, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada, September;Tate Gallery, London, November 15–December 22

1964
New painting 61–64, Arts Council of Great Britain, London, January 1–December 1
6 Young Painters, Blackburn Art Gallery, Blackburn, United Kingdom; Newcastle; Kingston-upon-Hull; Eastbourne; Cambridge; Sheffield (touring Arts Council of Great Britain exhibition)
British Painting from the Paris Biennale 1963, Royal College of Art, London
Pittsburgh International, Carnegie Institute, Pittsburgh, Pennsylvania
Shakespeare Exhibition, 1594–1964, Stratford-upon-Avon, United Kingdom
Summer Exhibition 1964, Robert Fraser Gallery, London
The New Image, Arts Council of Northern Ireland, Belfast, Ireland

1965
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 1–August 15
London: The New Scene, Walker Art Center, Minneapolis; The Washington Gallery of Modern Art, Washington, DC; Institute of Contemporary Art, Boston; Seattle Art Museum Pavilion; The Vancouver Art Gallery; The Art Gallery of Toronto; The National Gallery of Canada, Ottawa
Peter Stuyvesant Foundation: a collection in the making, Whitechapel Art Gallery, London
Pop Art: Nouveau Idealisme, Palais des Beaux-Arts, Brussels, Belgium

1966
European Drawings, Solomon R Guggenheim Museum, New York, February 24–April 17
Blake, Boshier, Caulfield, Hamilton, Paolozzi, Studio Marconi, Milan, Italy
Irish Exhibition of Living Art, National College of Art, Dublin, Ireland
Work in Progress, Robert Fraser Gallery, London

1967
Recent British Painting: Peter Stuyvesant Collection, Tate Gallery, London, November 15–December 22
Homage to Marilyn Monroe, Sidney Janis Gallery, New York, December 6–December 30
1967 Pittsburgh International, Carnegie Institute, Pittsburgh, Pennsylvania
British Drawings: The New Generation, The Museum of Modern Art, New York
Convocation Exhibition, Royal College of Art, London
Englische Kunst, Galerie Bischofberger, Zurich, Germany
Jeunes Peintres Anglais, Palais des Beaux-Arts, Brussels, Belgium
Work from 1956 to 1967 by Clive Barker, Peter Blake, Richard Hamilton, Jann Haworth and Le visage de l’homme dans l’art contemporain, Musée Rath, Geneva, Switzerland

1967–1968
Three Painters: Peter Blake, Jim Dine, Richard Hamilton, Midlands Arts Centre, Birmingham, United Kingdom; Arts Council Gallery, Cambridge,United Kingdom

1968
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 4–August 4
Britische Kunst heute, Kunstverein, Hamburg, Germany
From Kitaj to Blake: non-abstract artists in Britain, Bear Lane Gallery, Oxford, United Kingdom
Painting 1964–1967, Hayward Gallery, London (Arts Council exhibition)
The Obsessive Image 1960–1968, Institute of Contemporary Arts, London
Three Blind Mice, de collecties: Visser, Peeters, Becht, Stedelijk Van Abbemuseum, Eindhoven, Netherlands

1969
Pop Art, Hayward Gallery, London

1970
Works on Paper, Waddington Galleries, London, March 10–April 4
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 2–July 26
An Exhibition of Paintings, Drawings and Screenprints by Peter Blake and Graham Ovenden based on the theme of Lewis Caroll’s Alice, Waddington Galleries, London
Contemporary British Art, National Museum of Modern Art, Tokyo, Japan

1970–1971
British Painting and Sculpture 1960–1970, National Gallery of Art, Washington, DC, November 12, 1970–January 3, 1971
Three Towards Infinity: New Multiple Art, Whitechapel Art Gallery, London, November 19, 1970–January 3, 1971

1971
Critic’s Choice, selected by Robert Melville, Arthur Tooth and Sons, London
Works on Paper, Waddington Galleries, London

1973
11 Englische Zeichner, Staatliche Kunsthalle, Baden-Baden, Germany; Kunsthalle, Bremen, Germany; ICC, Antwerp, Belgium
Earth Images, Scottish National Gallery of Modern Art, Edinburgh
Henry Moore to Gilbert and George: Modern British art from the Tate Gallery, Palais des Beaux-Arts, Brussels, Belgium

1974
British Painting ‘74, Hayward Gallery, London
Peter Blake (with works by Jann Haworth), Festival Gallery, Bath, United Kingdom
Peter Blake’s Selection, Festival Gallery, Bath, United Kingdom
Works on Paper, Waddington Galleries, London

1975–1976
European Painting in the 70s, Los Angeles County Museum of Art, September 30–November 23, 1975; St Louis Art Museum, March 16–May 9, 1976; Elvehjem Art Center, Madison, Wisconsin, June 8–August 1, 1976

1976
Arte Inglese Oggi 1960–76, Palazzo Reale, Milan, Italy, February–March
Pop Art in England, Kunstverein, Hamburg, Germany, February 7–March 21, 1976; Stadt Galerie im Lenbachhaus, Munich, Germany, April 3–May 16, 1976; York Art Gallery, York, United Kingdom, May 29–July 11, 1976
Peter Blake, Richard Hamilton, David Hockney, R B Kitaj, Eduardo Paolozzi, Museum Boymans-van Beuningen, Rotterdam, Netherlands, May–July
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 8–August 1

1977
Hayward Annual: Part Two, Hayward Gallery, London, July 20–September 4
British Painting 1952–1977, Royal Academy of Arts, London, September 24–November 20
The Brotherhood of Ruralists, Festival Gallery, Bath, United Kingdom; Edinburgh; Doncaster, UnitedKingdom; Southampton, United Kingdom

1978
Groups, Waddington Galleries, London, April 4–28
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 20–August 13

1979
Groups II, Waddington Galleries, London, January 9–February 3
The Brotherhood of Ruralists, Gainsborough’s House, Sudbury, United Kingdom, August 18–September 30
This Knot of Life: Part II, L.A. Louver Gallery, Los Angeles, November 27–December 22
The Brotherhood of Ruralists, Charleston Manor, Seaford, United Kingdom

1980
Groups III, Waddington Galleries, London, February 5–March 1
Fairies, Brighton Museum and Art Gallery, Brighton, United Kingdom
Ophelia: paintings and drawings on the theme of Ophelia by the Brotherhood of Ruralists, City Museum and Art Gallery, Bristol, United Kingdom

1981
Groups IV, Waddington Galleries, London, February 3–28
The Ruralists, Arnolfini Gallery, Bristol, United Kingdom, April 10–May 15; Camden Arts Centre, London
Six British Artists: Prints 1974–1981, Waddington Graphics, London

1982
Groups V, Waddington Galleries, London, January 7–31
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 15–August 15
British Drawings and Watercolours, China Art Gallery, Beijing; Shanyang; Hong Kong

1983
Groups VI, Waddington Galleries, London, February 2–26
Landscape, Whitworth Art Gallery, Manchester, United Kingdom

1984
Groups VII, Waddington Galleries, London, January 5–28
Works on Paper, Waddington Galleries, London, May 2–26
The Hard Won Image: Traditional Method and Subject in Recent British Art, Tate Gallery, London, July–September
Look People, National Portrait Gallery, London

1984–1985
Automobile and Culture, Los Angeles Museum of Contemporary Art, July 21, 1984–January 6, 1985

1985
Groups VIII, Waddington Galleries, London, January 7–February 2
La vie et l’oeuvre de l’ecrivain, Galerie James Mayor, Paris
Royal College of Art Printmaking Appeal Fund Exhibition, Barbican Art Gallery, London

1986
Forty Years of Modern Art, 1945–1985, Tate Gallery, London, February 19–April 27
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 31–August 24
American/European Painting and Sculpture: Part I, L.A. Louver Gallery, Los Angeles, July 19–August 16
Little and Large, Waddington Galleries, London, September 3–September 27

1987
British Art in the 20th Century: The Modern Movement, Royal Academy of Arts, London, January 15–April 5
London Group Exhibition, Royal College of Art, London
Pop Art USA – UK: American and British Artists of the ‘60s in the ‘80s, Odakyu Grand Gallery, Tokyo, Japan; Daimaru Museum, Osaka; Funabashi Seibu Museum of Art, Funabashi, Japan; Sogo Museum of Art, Yokohama, Japan

1987–1988
Comic Iconoclasm, Institute of Contemporary Arts, London, June–September 1987; Douglas Hyde Gallery, Dublin, October–November 1987; Cornerhouse Gallery, Manchester, United Kingdom, January–February 1988

1988
Mother and Child, Lefevre Gallery, London,May 11–26
Contemporary Art Auctions, St Peter’s Church Hall, Portobello Road, London

1988–1990
The New British Painting, The Contemporary Arts Center, Cincinnati, Ohio, November 18, 1988–January 14, 1989; Chicago Public Library Cultural Center; Haggerty Museum, Marquette University, Milwaukee, Wisconsin, April 28–July 2, 1989; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina; Grand Rapids Art Museum, Michigan

1989
Works on Paper, Waddington Galleries, London, February 1–25
Twentieth Century Works, Waddington Galleries, London, April 26–May 20
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 10–August 20

1989–1990
Picturing People: British Figurative Art since ‘45, National Gallery of Ireland, Dublin; National Gallery, Kuala Lumpu, Malaysia, December 2–31, 1989; Hong Kong Museum of Art, Hong Kong, January 19–March 25, 1990; National Gallery of Zimbabwe, Harare, Zimbabwe, May 10–June 3, 1990
The Secret Garden: The Work of The Brotherhood of Ruralists, Piccadilly Gallery, London

1990
Masterpieces from the Arts Council Collection: 20th Century British Paintings, Ueno Royal Museum, Tokyo, Japan
Three Ways, Magyar Kepzomuveszeti, Budapest; Istvankiraly, Szekessehervar; Pecf, Hungary

1991
British Art from 1930, Waddington Galleries, London, February 27–March 23
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 9–August 18
Five Artists: Peter Blake, Patrick Caulfield, David Hockney, Allen Jones, Joe Tilson, Waddington Galleries, London, August 28–September 21

1991–1992
Pop Art, Royal Academy of Arts, London, September 13–December 15, 1991; Museum Ludwig, Cologne, Germany, January 23–April 19, 1992; Museo Nacional Centro de Arte Reina Sofia, Madrid, June 16–September 14, 1992

1992
Ready, Steady, Go: Painting of the Sixties from the Arts Council Collection, Royal Festival Hall, London, January 21–February 23
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 7–August 16

1992–1993
Pop Art, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada, October 23, 1992–January 24, 1993

1993
The Sixties Art Scene in London, Barbican Art Gallery, London, March 11–June 13
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 6–August 15

1994
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 5–August 14

1994–1997
Elvis + Marilyn: 2 × Immortal, The Institute of Contemporary Art, Boston, November 2, 1994–January 8, 1995; touring, February 4, 1995–June 8, 1997

1995
Paintings from the 60s and 70s: Peter Blake, Patrick Caulfield and Howard Hodgkin, Waddington Galleries, London, February 22–March 25
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 4–August 13
Revolution: Art of the Sixties from Warhol to Beuys, Museum of ContemporaryArt, Tokyo, September 30–December 10

1995–1996
Marilyn Monroe, Palazzo della Civiltà Italiana, Rome

1996
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 9–August 18

1997
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 1–August 10
The Pop ‘60s: Transatlantic Crossing, Fundacio das Descobertas, Lisbon, Portugal, September 11–November 17
Essence of Humour, Crane Kalman, London, November 8–December 6
British Figurative Art, Part 1: Painting, The Human Figure, Flowers Gallery, London
Treasure Island, Calouste Gulbenkian Foundation, Lisbon, Portugal

1997–2004
Drawing Distinctions : Twentieth-Century Drawings and Watercolours from the British Council Collection, Milton Keynes Gallery, Buckinghamshire, England, 1997; University Art Museum, Berkeley, California, April 5–June 22, 1997; Arizona State University Art Museum, Tempe, Arizona October 1–November 30, 1997; Penang State Museum And Art Gallery, Penang, Malaysia, August 7–September 10, 1998; National Art Gallery, Kuala Lumpur, Malaysia, October 1, 1998–January 1, 1999; Acadia University Art Gallery, Wolfville, Nova Scotia, Canada, October 1–November 15, 1999; Timmins Museum And N E C, Timmins, Ontario, Canada, December 1, 1999–January 15, 2000; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, February 6–March 26, 2000; Prairie Art Gallery, Grande Prairie, Alberta, Canada, June 6–June 15, 2000; Yukon Arts Centre, Yukon, Whitehorse, Canada, August 15–September 30, 2000; The Hermitage, St Petersburg, Russia, December 12, 2000–January 11, 2001; Pushkin Museum Of Fine Arts, Moscow, Russia, January 23–March 9, 2001; Museum Of Fine Arts, Nizhny Novgorod, Russia, March 22–April 25, 2001; Milton Keynes Gallery, Milton Keynes, United Kingdom, August 15–November 25, 2001; Castle Museum And Art Gallery, Nottingham, UK, December 12, 2001–January 27, 2002; Museum Sztuki, Lodz, Poland, October 22, 2003–January 1, 2004

1998
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 2–August 16

1998–1999
POP-TASTIC!, Wolverhampton Art Gallery, Wolverhampton, United Kingdom
Smakprov. Wetterling Gallery 1978–1998, Wetterling Gallery, Stockholm, Sweden

1999
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 7–August 15
Collage: The Pasted-Paper Revolution, Crane Kalman Gallery, London, June 15–21
Best of British: 26 Paintings and The New Wing, Pallant House Gallery, Chichester, United Kingdom

2000
Defining the Times, Milton Keynes Gallery, Milton Keynes, United Kingdom, May 3–June 3
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 29–August 7

2000–2001
The School of London and their friends: the collection of Elaine and Melvin Merians, Yale Center for British Art, New Haven, Connecticut, October 11, 2000–January 14, 2001; Neuberger Museum of Art, Purchase College State University of New York, Purchase, New York, January 28–May 27, 2001

2001
Pop Art US / UK Connections, 1956–1966, The Menil Collection, Houston, Texas, January 26–May 13
Les Années Pop, Centre Pompidou, Paris, March 15–June 18
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 5–August 13
Drawing Distinctions: Twentieth Century Drawings and Watercolours from the British Council Collections, Milton Keynes Gallery, United Kingdom, August 15–November 25

2002
Transition: The London Art Scene in the Fifties, Barbican Art Galleries, London, January 31–March 14
United Kingdom United States, Waddington Galleries, London, March 25–April 27
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 11–August 19
British Pop Art, Alan Cristea Gallery, London, October 16–November 23

2002–2003
Blast to Freeze: British Art in the 20th Century, Kunstmuseum Wolfsburg, Germany, September 14, 2002–January 19, 2003; Les Abattoirs, Toulouse, France, February 24, 2003–May 11, 2003

2003
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 2–August 10
Five in One: David Inshaw – Friends and Influences, Royal West of England Academy, Bristol, United Kingdom

2003–2005
Marilyn Monroe – Life of a Legend, County Hall Gallery, London, April 9–September 14, 2003; Reales Ataranzanes de Valencia, Spain, July 8–August 29, 2004; Centro Cultural de la Villa Plaza de Colon, Madrid, February 4–March 27, 2005

2004
Pop Art UK: British Pop Art 1956–1972, Palazzo Santa Margherita, Palazzina dei Giardini, Modena, Italy, April 18–July 4
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 8–August 16
Art and the 60s: This Was Tomorrow, Tate Britain, London, June 30–September 26
Diamond Dust Volume One, Edinburgh Printmakers, Edinburgh, August 19–September 18
An Artist’s Choice: David Remfry Selects, Bohun Gallery, Henley-on-Thames, United Kingdom
Design and Artists Copyright Society (DACS): Twenty Years, The Mall Galleries, London
Just what is it that makes British Pop art so different, so appealing?, Yale Center for British Art, New Haven, Connecticut
Modern British Art at Pallant House Gallery, The Pallant House Gallery, Chicester, United Kingdom
Naked, Royal West of England Academy, Bristol, United Kingdom
Paintings, Sculpture and Works on Paper, Waddington Galleries, London

2005
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 7–August 15
The Brotherhood of Ruralists and the Pre-Raphaelites, Peter Nahum at The Leicester Galleries, London, June 20–July 3

2005–2006
British Pop, Museo de Bellas Artes de Bilbao, Spain, October 17, 2005–Feburary 12, 2006

2006
Good Vibrations: le arti visive e il rock, Papesse Centro Arte Contemporanea, Siena, Italy, May 26–September 24
Modern British Art: The First 100 Years, Pallant House Gallery, Chichester, United Kingdom

2007
Sculpture, Waddington Galleries, London, January 31–February 24
All Tomorrow’s Pictures, Institute of Contemporary Arts, London, May 31–June 8
Looking Forward: Thirty Contemporary British Artists, Agnew’s, London, June 6–July 21
Pop Art Is …, Gagosian Gallery, London, September, 27–November 21
A Tribute to Sir Colin St John Wilson, James Hyman Gallery, London, November 21–December 1
White Out, The Fine Art Society, London

2007–2008
Pop Art Portraits, National Portrait Gallery, London; October 11, 2007–January 20, 2008
Pop Art 1956–1968, Scuderie del Quirinale, Rome, October 26, 2007–January 27, 2008

2008
Peter Blake and John Wesley Tracings: From the 1960s On, Fredericks & Freiser, New York, March 15–April 12
L’usage de la parole, Artiscope, Brussels, Belgium, April 26–June 27
Post-War to Pop. Modern British Art: Abstraction, Pop and Op Art, Whitford Fine Art, London, May 22–June 20
30th Anniversary Show: Part I, Wetterling Gallery, Stockholm, Sweden, September 16–October 11
100 Years, 100 Artists, 100 Works of Art, A Foundation, London, October 9–30

2009
15th Autumn Exhibition, Royal West of England Academy, Bristol, United Kingdom,November 1–December 13

2010
Group Exhibition, Wetterling Gallery, Stockholm, Sweden, September 2–October 2
Sculpture, Waddington Galleries, London, October 5–30
The Ear of Giacometti: (Post-)Surreal Art from Meret Oppenheim to Mariella Mosler, Galerie Levy, Hamburg, Germany, November 1–March 4

2011
Studies for an Exhibition, David Roberts Art Foundation, London,April 7–June 11

2012
Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria, May 4–September 2

2012–2013
Freedom not Genius: Works from Damien Hirst’s Murderme Collection, Pinacoteca Agnelli, Turin, Italy, November 10, 2012–March 10, 2013

2012–2017
Pop Art Design, Vitra Design Museum, Weil am Rhein,Germany, October 13, 2012–February 3, 2013; Louisiana Museum of Modern Art, Humlebæk, Denmark, February 21–June 9, 2013; Moderna Museet, Stockholm, Sweden, June 29–September 22, 2013; Barbican Art Gallery, London, October 18, 2013–February 9, 2014; Emma Espoo, Espoo, Finland, February 2–May 10, 2015; Henie Onstad Art Center, Sandvika, Norway, May 28–August 30, 2015; Museum of Contemporary Art, Chicago, Illinois, December 19, 2015–March 27, 2016; Orange County Museum of Art, Newport Beach, California, January 1–April 2, 2017

2013
Pop Imagery, Waddington Custot Galleries, London, October 2–November 2
When Britain Went Pop – British Pop Art: The Early Years, Waddington Custot and Christie’s Mayfair, London, October 9–November 23

2013–2014
Pop Art to Britart: Modern Masters from the David Ross Collection, Djanogly Art Gallery, Lakeside Arts Centre, Nottingham, United Kingdom, November 23, 2013–February 9, 2014

2014–2015
Pop to Popism, Art Gallery New South Wales, Sydney, November 1, 2014–March 1, 2015

2015
A Strong Sweet Smell of Incense: A Portrait of Robert Fraser, Pace Gallery, London, February 6–March 28
Magnificent Obsessions: The Artist as Collector, Barbican Art Gallery, London, February 12–May 25

2015–2016
International Pop, Walker Art Center, Minneapolis, Minnesota, April 11–August 29, 2015; Dallas Museum of Art, Dallas, Texas, October 11, 2015–January 17, 2016; Philadelphia Museum of Art, Philadelphia, Pennsylvania, February 24–May 15, 2016
Ludwig Goes Pop + The East Side Story, Ludwig Museum of Contemporary Art, Budapest, Hungary, October 9, 2015–January 3, 2016

2016
POP ART HEROES: Pop, Pin-Ups & Politics, Whitford Fine Art, London, May 27–July 1
Peter Blake Silkscreen Prints, For Arts Sake, The Printmakers Gallery, London, September 9–October 9

2018
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 12–August 19
Wetterling Gallery 40 Years!: Twentyfourseven, Wetterling Gallery, Stockholm, Sweden, October 13–December 1

2019
36 Works on Paper, Garth Greenan Gallery, New York, July 18–August 9

2021
Collect: Modern Art, Porthminster Gallery, St. Ives, UK, March 12–April 30
Pop Art, Falmouth Art Gallery, Falmouth, UK, March 30–May 22
Sculptures 2021, Galerie Thomas/Thomas Modern, Munich, Germany, May 18–August 15
Alice, Curiouser and Curioser, Victoria and Albert Museum, London, May 22–December 31
The Human Figure in Art of the 20th Century, Galerie Thomas, Munich, Germany, October 4–November 27

2022
Blake + 7, Falmouth Art Gallery, Falmouth, UK, April 1– May 21
The Best of British Print, Linden Hall Studio, August 13–September 24

2022–2023
Dos Pés à Cabeça, MAC/CCB Museum of Contemporary Art, Lisbon, Portugal, June 25, 2022–April 9, 2023
Collect: Modern British Art, Porthminster Gallery, St. Ives, UK, September 20, 2022–January 7, 2023
Multiple Cutout, Dan Galeria, Sao Paulo, Brazil, October 29, 2022–January 30, 2023

2023
Transcendent Variables, Wetterling Gallery, Stockholm, Sweden, January 21–February 23
The Wisdom Man, Paul Stolper, London, UK, March 4–April 6
Strike Fast, Dance Lightly: Artists on Boxing, The FLAG Art Foundation, New York, New York, June 16–August 11
Collect: Modern Art, Porthminster Gallery, St. Ives, UK, September 9–November 4

2024
8 Golden Square, Bernard Jacobson Gallery, St. James’s, London, March 15–May 4

SELECTED GROUP EXHIBITIONS

1954
Royal Academy Summer Exhibition, Royal Academy of Arts, London,May 1–August 15

1955
The Observer Exhibition of Portraits of Children, RWS Galleries, London, June 5–25
Daily Express Young Artists’ Exhibition, New Burlington Galleries, London, April 20–May 21
Paintings by Tutors and Students at the RCA, Exeter

1958
Five Painters (with John Barnicoat, Peter Coviello, William Green and Richard Smith), Institute of Contemporary Arts, London
The Guggenheim Painting Award 1958: British Section, Whitechapel Art Gallery, London,January 9–February 8
The Guggenheim Painting Award 1958: British Section, Whitechapel Art Gallery, London, May 16–June 1

1960
Theo Crosby: sculpture, Peter Blake: objects, John Latham: libraries, Institute of Contemporary Arts, London, January 7–30
Grass by Tony Gifford and Gold by Peter Blake, New Vision Centre, London, January 18–February 6
Peter Blake, Roddy Maude-Roxby, Ivor Abrahams, Portal Gallery, London, March–April
The Mysterious Sign, Institute of Contemporary Arts, London, October 26–December 3

1961
British Painting Today and Yesterday, Arthur Tooth and Sons, London, June 22–July 27
Pauline Boty, Peter Blake, Christine Porter, Geoffrey Reeve, AIA Gallery, London, November 30–December 29
John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool, United Kingdom

1962
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 5–August 26
New Approaches to the Figure, The Arthur Jeffress Gallery, London, August 28–September 28
International Exhibition of the New Realists, Sidney Janis Gallery, New York, October 31–December 1
Towards Art?: The contribution of the RCA to the Fine Arts 1952–62, Royal College of Art, London, November 7–December 1

1962–1963
British Art Today, San Francisco Museum of Art, November 13–December 16, 1962; Dallas Museum of Contemporary Arts, January 15–February 17, 1963; Santa Barbara Museum of Art, March 7–April 7, 1963

1963
Drawings by Artists of Two Generations, Grabowski Gallery, London, February–March
British Painting in the Sixties, Whitechapel Art Gallery, London, June 1–30
Troisième Biennale de Paris, Musée d’Art Moderne, Paris, September 28–November 3
Dunn International Exhibition, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada, September;Tate Gallery, London, November 15–December 22

1964
New painting 61–64, Arts Council of Great Britain, London, January 1–December 16
Young Painters, Blackburn Art Gallery, Blackburn, United Kingdom; Newcastle; Kingston-upon-Hull; Eastbourne; Cambridge; Sheffield (touring Arts Council of Great Britain exhibition)
British Painting from the Paris Biennale 1963, Royal College of Art, London
Pittsburgh International, Carnegie Institute, Pittsburgh, Pennsylvania
Shakespeare Exhibition, 1594–1964, Stratford-upon-Avon, United Kingdom
Summer Exhibition 1964, Robert Fraser Gallery, London
The New Image, Arts Council of Northern Ireland, Belfast, Ireland

1965
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 1–August 15
London: The New Scene, Walker Art Center, Minneapolis; The Washington Gallery of Modern Art, Washington, DC; Institute of Contemporary Art, Boston; Seattle Art Museum Pavilion; The Vancouver Art Gallery; The Art Gallery of Toronto; The National Gallery of Canada, Ottawa
Peter Stuyvesant Foundation: a collection in the making, Whitechapel Art Gallery, London
Pop Art: Nouveau Idealisme, Palais des Beaux-Arts, Brussels, Belgium

1966
European Drawings, Solomon R Guggenheim Museum, New York, February 24–April 17
Blake, Boshier, Caulfield, Hamilton, Paolozzi, Studio Marconi, Milan, Italy
Irish Exhibition of Living Art, National College of Art, Dublin, Ireland
Work in Progress, Robert Fraser Gallery, London

1967
Recent British Painting: Peter Stuyvesant Collection, Tate Gallery, London, November 15–December 22
Homage to Marilyn Monroe, Sidney Janis Gallery, New York, December 6–December 30
1967 Pittsburgh International, Carnegie Institute, Pittsburgh, Pennsylvania
British Drawings: The New Generation, The Museum of Modern Art, New York
Convocation Exhibition, Royal College of Art, London
Englische Kunst, Galerie Bischofberger, Zurich, Germany
Jeunes Peintres Anglais, Palais des Beaux-Arts, Brussels, Belgium
Work from 1956 to 1967 by Clive Barker, Peter Blake, Richard Hamilton, Jann Haworth and Le visage de l’homme dans l’art contemporain, Musée Rath, Geneva, Switzerland

1967–1968
Three Painters: Peter Blake, Jim Dine, Richard Hamilton, Midlands Arts Centre, Birmingham, United Kingdom; Arts Council Gallery, Cambridge,United Kingdom

1968
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 4–August 4
Britische Kunst heute, Kunstverein, Hamburg, Germany
From Kitaj to Blake: non-abstract artists in Britain, Bear Lane Gallery, Oxford, United Kingdom
Painting 1964–1967, Hayward Gallery, London (Arts Council exhibition)
The Obsessive Image 1960–1968, Institute of Contemporary Arts, London
Three Blind Mice, de collecties: Visser, Peeters, Becht, Stedelijk Van Abbemuseum, Eindhoven, Netherlands

1969
Pop Art, Hayward Gallery, London

1970
Works on Paper, Waddington Galleries, London, March 10–April 4
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 2–July 26
An Exhibition of Paintings, Drawings and Screenprints by Peter Blake and Graham Ovenden based on the theme of Lewis Caroll’s Alice, Waddington Galleries, London
Contemporary British Art, National Museum of Modern Art, Tokyo, Japan

1970–1971
British Painting and Sculpture 1960–1970, National Gallery of Art, Washington, DC, November 12, 1970–January 3, 1971
Three Towards Infinity: New Multiple Art, Whitechapel Art Gallery, London, November 19, 1970–January 3, 1971

1971
Critic’s Choice, selected by Robert Melville, Arthur Tooth and Sons, London
Works on Paper, Waddington Galleries, London

1973
11 Englische Zeichner, Staatliche Kunsthalle, Baden-Baden, Germany; Kunsthalle, Bremen, Germany; ICC, Antwerp, Belgium
Earth Images, Scottish National Gallery of Modern Art, Edinburgh
Henry Moore to Gilbert and George: Modern British art from the Tate Gallery, Palais des Beaux-Arts, Brussels, Belgium

1974
British Painting ‘74, Hayward Gallery, London
Peter Blake (with works by Jann Haworth), Festival Gallery, Bath, United Kingdom
Peter Blake’s Selection, Festival Gallery, Bath, United Kingdom
Works on Paper, Waddington Galleries, London

1975–1976
European Painting in the 70s, Los Angeles County Museum of Art, September 30–November 23, 1975; St Louis Art Museum, March 16–May 9, 1976; Elvehjem Art Center, Madison, Wisconsin, June 8–August 1, 1976

1976
Arte Inglese Oggi 1960–76, Palazzo Reale, Milan, Italy, February–March
Pop Art in England, Kunstverein, Hamburg, Germany, February 7–March 21, 1976; Stadt Galerie im Lenbachhaus, Munich, Germany, April 3–May 16, 1976; York Art Gallery, York, United Kingdom, May 29–July 11, 1976
Peter Blake, Richard Hamilton, David Hockney, R B Kitaj, Eduardo Paolozzi, Museum Boymans-van Beuningen, Rotterdam, Netherlands, May–July
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 8–August 1

1977
Hayward Annual: Part Two, Hayward Gallery, London, July 20–September 4
British Painting 1952–1977, Royal Academy of Arts, London, September 24–November 20
The Brotherhood of Ruralists, Festival Gallery, Bath, United Kingdom; Edinburgh; Doncaster, UnitedKingdom; Southampton, United Kingdom

1978
Groups, Waddington Galleries, London, April 4–28
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 20–August 13

1979
Groups II, Waddington Galleries, London, January 9–February 3
The Brotherhood of Ruralists, Gainsborough’s House, Sudbury, United Kingdom, August 18–September 30
This Knot of Life: Part II, L.A. Louver Gallery, Los Angeles, November 27–December 22
The Brotherhood of Ruralists, Charleston Manor, Seaford, United Kingdom

1980
Groups III, Waddington Galleries, London, February 5–March 1
Fairies, Brighton Museum and Art Gallery, Brighton, United Kingdom
Ophelia: paintings and drawings on the theme of Ophelia by the Brotherhood of Ruralists, City Museum and Art Gallery, Bristol, United Kingdom

1981
Groups IV, Waddington Galleries, London, February 3–28
The Ruralists, Arnolfini Gallery, Bristol, United Kingdom, April 10–May 15; Camden Arts Centre, London
Six British Artists: Prints 1974–1981, Waddington Graphics, London

1982
Groups V, Waddington Galleries, London, January 7–31
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 15–August 15
British Drawings and Watercolours, China Art Gallery, Beijing; Shanyang; Hong Kong

1983
Groups VI, Waddington Galleries, London, February 2–26
Landscape, Whitworth Art Gallery, Manchester, United Kingdom

1984
Groups VII, Waddington Galleries, London, January 5–28
Works on Paper, Waddington Galleries, London, May 2–26
The Hard Won Image: Traditional Method and Subject in Recent British Art, Tate Gallery, London, July–September
Look People, National Portrait Gallery, London

1984–1985
Automobile and Culture, Los Angeles Museum of Contemporary Art, July 21, 1984–January 6, 1985

1985
Groups VIII, Waddington Galleries, London, January 7–February 2
La vie et l’oeuvre de l’ecrivain, Galerie James Mayor, Paris
Royal College of Art Printmaking Appeal Fund Exhibition, Barbican Art Gallery, London

1986
Forty Years of Modern Art, 1945–1985, Tate Gallery, London, February 19–April 27
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 31–August 24
American/European Painting and Sculpture: Part I, L.A. Louver Gallery, Los Angeles, July 19–August 16
Little and Large, Waddington Galleries, London, September 3–September 27

1987
British Art in the 20th Century: The Modern Movement, Royal Academy of Arts, London, January 15–April 5
London Group Exhibition, Royal College of Art, London
Pop Art USA – UK: American and British Artists of the ‘60s in the ‘80s, Odakyu Grand Gallery, Tokyo, Japan; Daimaru Museum, Osaka; Funabashi Seibu Museum of Art, Funabashi, Japan; Sogo Museum of Art, Yokohama, Japan

1987–1988
Comic Iconoclasm, Institute of Contemporary Arts, London, June–September 1987; Douglas Hyde Gallery, Dublin, October–November 1987; Cornerhouse Gallery, Manchester, United Kingdom, January–February 1988

1988
Mother and Child, Lefevre Gallery, London,May 11–26
Contemporary Art Auctions, St Peter’s Church Hall, Portobello Road, London

1988–1990
The New British Painting, The Contemporary Arts Center, Cincinnati, Ohio, November 18, 1988–January 14, 1989; Chicago Public Library Cultural Center; Haggerty Museum, Marquette University, Milwaukee, Wisconsin, April 28–July 2, 1989; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina; Grand Rapids Art Museum, Michigan

1989
Works on Paper, Waddington Galleries, London, February 1–25
Twentieth Century Works, Waddington Galleries, London, April 26–May 20
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 10–August 20

1989–1990
Picturing People: British Figurative Art since ‘45, National Gallery of Ireland, Dublin; National Gallery, Kuala Lumpu, Malaysia, December 2–31, 1989; Hong Kong Museum of Art, Hong Kong, January 19–March 25, 1990; National Gallery of Zimbabwe, Harare, Zimbabwe, May 10–June 3, 1990
The Secret Garden: The Work of The Brotherhood of Ruralists, Piccadilly Gallery, London

1990
Masterpieces from the Arts Council Collection: 20th Century British Paintings, Ueno Royal Museum, Tokyo, Japan
Three Ways, Magyar Kepzomuveszeti, Budapest; Istvankiraly, Szekessehervar; Pecf, Hungary

1991
British Art from 1930, Waddington Galleries, London, February 27–March 23
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 9–August 18
Five Artists: Peter Blake, Patrick Caulfield, David Hockney, Allen Jones, Joe Tilson, Waddington Galleries, London, August 28–September 21

1991–1992
Pop Art, Royal Academy of Arts, London, September 13–December 15, 1991; Museum Ludwig, Cologne, Germany, January 23–April 19, 1992; Museo Nacional Centro de Arte Reina Sofia, Madrid, June 16–September 14, 1992

1992
Ready, Steady, Go: Painting of the Sixties from the Arts Council Collection, Royal Festival Hall, London, January 21–February 23
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 7–August 16

1992–1993
Pop Art, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada, October 23, 1992–January 24, 1993

1993
The Sixties Art Scene in London, Barbican Art Gallery, London, March 11–June 13
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 6–August 15

1994
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 5–August 14

1994–1997
Elvis + Marilyn: 2 × Immortal, The Institute of Contemporary Art, Boston, November 2, 1994–January 8, 1995; touring, February 4, 1995–June 8, 1997

1995
Paintings from the 60s and 70s: Peter Blake, Patrick Caulfield and Howard Hodgkin, Waddington Galleries, London, February 22–March 25
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 4–August 13
Revolution: Art of the Sixties from Warhol to Beuys, Museum of ContemporaryArt, Tokyo, September 30–December 10

1995–1996
Marilyn Monroe, Palazzo della Civiltà Italiana, Rome

1996
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 9–August 18

1997
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 1–August 10
The Pop ‘60s: Transatlantic Crossing, Fundacio das Descobertas, Lisbon, Portugal, September 11–November 17
Essence of Humour, Crane Kalman, London, November 8–December 6
British Figurative Art, Part 1: Painting, The Human Figure, Flowers Gallery, London
Treasure Island, Calouste Gulbenkian Foundation, Lisbon, Portugal

1997–2004
Drawing Distinctions : Twentieth-Century Drawings and Watercolours from the British Council Collection, Milton Keynes Gallery, Buckinghamshire, England, 1997; University Art Museum, Berkeley, California, April 5–June 22, 1997; Arizona State University Art Museum, Tempe, Arizona October 1–November 30, 1997; Penang State Museum And Art Gallery, Penang, Malaysia, August 7–September 10, 1998; National Art Gallery, Kuala Lumpur, Malaysia, October 1, 1998–January 1, 1999; Acadia University Art Gallery, Wolfville, Nova Scotia, Canada, October 1–November 15, 1999; Timmins Museum And N E C, Timmins, Ontario, Canada, December 1, 1999–January 15, 2000; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, February 6–March 26, 2000; Prairie Art Gallery, Grande Prairie, Alberta, Canada, June 6–June 15, 2000; Yukon Arts Centre, Yukon, Whitehorse, Canada, August 15–September 30, 2000; The Hermitage, St Petersburg, Russia, December 12, 2000–January 11, 2001; Pushkin Museum Of Fine Arts, Moscow, Russia, January 23–March 9, 2001; Museum Of Fine Arts, Nizhny Novgorod, Russia, March 22–April 25, 2001; Milton Keynes Gallery, Milton Keynes, United Kingdom, August 15–November 25, 2001; Castle Museum And Art Gallery, Nottingham, UK, December 12, 2001–January 27, 2002; Museum Sztuki, Lodz, Poland, October 22, 2003–January 1, 2004

1998
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 2–August 16

1998–1999
POP-TASTIC!, Wolverhampton Art Gallery, Wolverhampton, United Kingdom
Smakprov. Wetterling Gallery 1978–1998, Wetterling Gallery, Stockholm, Sweden

1999
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 7–August 15
Collage: The Pasted-Paper Revolution, Crane Kalman Gallery, London, June 15–21
Best of British: 26 Paintings and The New Wing, Pallant House Gallery, Chichester, United Kingdom

2000
Defining the Times, Milton Keynes Gallery, Milton Keynes, United Kingdom, May 3–June 3
Royal Academy Summer Exhibition, Royal Academy of Arts, London, May 29–August 7

2000–2001
The School of London and their friends: the collection of Elaine and Melvin Merians, Yale Center for British Art, New Haven, Connecticut, October 11, 2000–January 14, 2001; Neuberger Museum of Art, Purchase College State University of New York, Purchase, New York, January 28–May 27, 2001

2001
Pop Art US / UK Connections, 1956–1966, The Menil Collection, Houston, Texas, January 26–May 13
Les Années Pop, Centre Pompidou, Paris, March 15–June 18
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 5–August 13
Drawing Distinctions: Twentieth Century Drawings and Watercolours from the British Council Collections, Milton Keynes Gallery, United Kingdom, August 15–November 25

2002
Transition: The London Art Scene in the Fifties, Barbican Art Galleries, London, January 31–March 14
United Kingdom United States, Waddington Galleries, London, March 25–April 27
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 11–August 19
British Pop Art, Alan Cristea Gallery, London, October 16–November 23

2002–2003
Blast to Freeze: British Art in the 20th Century, Kunstmuseum Wolfsburg, Germany, September 14, 2002–January 19, 2003; Les Abattoirs, Toulouse, France, February 24, 2003–May 11

2003
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 2–August 10
Five in One: David Inshaw – Friends and Influences, Royal West of England Academy, Bristol, United Kingdom

2003–2005
Marilyn Monroe – Life of a Legend, County Hall Gallery, London, April 9–September 14, 2003; Reales Ataranzanes de Valencia, Spain, July 8–August 29, 2004; Centro Cultural de la Villa Plaza de Colon, Madrid, February 4–March 27, 2005

2004
Pop Art UK: British Pop Art 1956–1972, Palazzo Santa Margherita, Palazzina dei Giardini, Modena, Italy, April 18–July 4
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 8–August 16
Art and the 60s: This Was Tomorrow, Tate Britain, London, June 30–September 26
Diamond Dust Volume One, Edinburgh Printmakers, Edinburgh, August 19–September 18
An Artist’s Choice: David Remfry Selects, Bohun Gallery, Henley-on-Thames, United Kingdom
Design and Artists Copyright Society (DACS): Twenty Years, The Mall Galleries, London
Just what is it that makes British Pop art so different, so appealing?, Yale Center for British Art, New Haven, Connecticut
Modern British Art at Pallant House Gallery, The Pallant House Gallery, Chicester, United Kingdom
Naked, Royal West of England Academy, Bristol, United Kingdom
Paintings, Sculpture and Works on Paper, Waddington Galleries, London

2005
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 7–August 15
The Brotherhood of Ruralists and the Pre-Raphaelites, Peter Nahum at The Leicester Galleries, London, June 20–July 3

2005–2006
British Pop, Museo de Bellas Artes de Bilbao, Spain, October 17, 2005–Feburary 12, 2006

2006
Good Vibrations: le arti visive e il rock, Papesse Centro Arte Contemporanea, Siena, Italy, May 26–September 24
Modern British Art: The First 100 Years, Pallant House Gallery, Chichester, United Kingdom

2007
Sculpture, Waddington Galleries, London, January 31–February 24
All Tomorrow’s Pictures, Institute of Contemporary Arts, London, May 31–June 8
Looking Forward: Thirty Contemporary British Artists, Agnew’s, London, June 6–July 21
Pop Art Is …, Gagosian Gallery, London, September, 27–November 21
A Tribute to Sir Colin St John Wilson, James Hyman Gallery, London, November 21–December 1
White Out, The Fine Art Society, London

2007–2008
Pop Art Portraits, National Portrait Gallery, London; October 11, 2007–January 20, 2008
Pop Art 1956–1968, Scuderie del Quirinale, Rome, October 26, 2007–January 27, 2008

2008
Peter Blake and John Wesley Tracings: From the 1960s On, Fredericks & Freiser, New York, March 15–April 12
L’usage de la parole, Artiscope, Brussels, Belgium, April 26–June 27
Post-War to Pop. Modern British Art: Abstraction, Pop and Op Art, Whitford Fine Art, London, May 22–June 20
30th Anniversary Show: Part I, Wetterling Gallery, Stockholm, Sweden, September 16–October 11
100 Years, 100 Artists, 100 Works of Art, A Foundation, London, October 9–30

2009
15th Autumn Exhibition, Royal West of England Academy, Bristol, United Kingdom,November 1–December 13

2010
Group Exhibition, Wetterling Gallery, Stockholm, Sweden, September 2–October 2
Sculpture, Waddington Galleries, London, October 5–30
The Ear of Giacometti: (Post-)Surreal Art from Meret Oppenheim to Mariella Mosler, Galerie Levy, Hamburg, Germany, November 1–March 4

2011
Studies for an Exhibition, David Roberts Art Foundation, London,April 7–June 11

2012
Parallelwelt Zirkus, Kunsthalle Wien, Vienna, Austria, May 4–September 2

2012–2013
Freedom not Genius: Works from Damien Hirst’s Murderme Collection, Pinacoteca Agnelli, Turin, Italy, November 10, 2012–March 10, 2013

2012–2017
Pop Art Design, Vitra Design Museum, Weil am Rhein,Germany, October 13, 2012–February 3, 2013; Louisiana Museum of Modern Art, Humlebæk, Denmark, February 21–June 9, 2013; Moderna Museet, Stockholm, Sweden, June 29–September 22, 2013; Barbican Art Gallery, London, October 18, 2013–February 9, 2014; Emma Espoo, Espoo, Finland, February 2–May 10, 2015; Henie Onstad Art Center, Sandvika, Norway, May 28–August 30, 2015; Museum of Contemporary Art, Chicago, Illinois, December 19, 2015–March 27, 2016; Orange County Museum of Art, Newport Beach, California, January 1–April 2, 2017

2013
Pop Imagery, Waddington Custot Galleries, London, October 2–November 2
When Britain Went Pop – British Pop Art: The Early Years, Waddington Custot and Christie’s Mayfair, London, October 9–November 23

2013–2014
Pop Art to Britart: Modern Masters from the David Ross Collection, Djanogly Art Gallery, Lakeside Arts Centre, Nottingham, United Kingdom, November 23, 2013–February 9, 2014

2014–2015
Pop to Popism, Art Gallery New South Wales, Sydney, November 1, 2014–March 1, 2015

2015
A Strong Sweet Smell of Incense: A Portrait of Robert Fraser, Pace Gallery, London, February 6–March 28
Magnificent Obsessions: The Artist as Collector, Barbican Art Gallery, London, February 12–May 25

2015–2016
International Pop, Walker Art Center, Minneapolis, Minnesota, April 11–August 29, 2015; Dallas Museum of Art, Dallas, Texas, October 11, 2015–January 17, 2016; Philadelphia Museum of Art, Philadelphia, Pennsylvania, February 24–May 15, 2016
Ludwig Goes Pop + The East Side Story, Ludwig Museum of Contemporary Art, Budapest, Hungary, October 9, 2015–January 3, 2016

2016
POP ART HEROES: Pop, Pin-Ups & Politics, Whitford Fine Art, London, May 27–July 1
Peter Blake Silkscreen Prints, For Arts Sake, The Printmakers Gallery, London, September 9–October 9

2018
Royal Academy Summer Exhibition, Royal Academy of Arts, London, June 12–August 19
Wetterling Gallery 40 Years!: Twentyfourseven, Wetterling Gallery, Stockholm, Sweden, October 13–December 1

2019
36 Works on Paper, Garth Greenan Gallery, New York, July 18–August 9

2021
Collect: Modern Art, Porthminster Gallery, St. Ives, UK, March 12–April 30
Pop Art, Falmouth Art Gallery, Falmouth, UK, March 30–May 22
Sculptures 2021, Galerie Thomas/Thomas Modern, Munich, Germany, May 18–August 15
Alice, Curiouser and Curioser, Victoria and Albert Museum, London, May 22–December 31
The Human Figure in Art of the 20th Century, Galerie Thomas, Munich, Germany, October 4–November 27

2022
Blake + 7, Falmouth Art Gallery, Falmouth, UK, April 1– May 21
The Best of British Print, Linden Hall Studio, August 13–September 24

2022–2023
Dos Pés à Cabeça, MAC/CCB Museum of Contemporary Art, Lisbon, Portugal, June 25, 2022–April 9, 2023
Collect: Modern British Art, Porthminster Gallery, St. Ives, UK, September 20, 2022–January 7, 2023
Multiple Cutout, Dan Galeria, Sao Paulo, Brazil, October 29, 2022–January 30, 2023

2023
Transcendent Variables, Wetterling Gallery, Stockholm, Sweden, January 21–February 23
The Wisdom Man, Paul Stolper, London, UK, March 4–April 6
Strike Fast, Dance Lightly: Artists on Boxing, The FLAG Art Foundation, New York, New York, June 16–August 11
Collect: Modern Art, Porthminster Gallery, St. Ives, UK, September 9–November 4

SELECTED COLLECTIONS

Arts Council Collection
Baltimore Museum of Art
Bristol City Art Gallery
British Council, London
Calouste Gulbenkian Foundation, Lisbon
Carnegie Museum of Art, Pittsburgh
Cecil Higgins Art Gallery, Bedford
Ferens Art Gallery, Hull Museums & Art Gallery
Leeds City Art Gallery
Museo de Bellas Artes de Bilbao
Museum Boymans-Van Beuningen, Rotterdam
Museum Ludwig, Cologne
Museum Moderner Kunst, Vienna
Museum of Modern Art, New York
National Museums Wales
Royal College of Art, London
Sheffield City Art Galleries
Sintra Museum of Modern Art, Portugal – The Berardo Collection
Tate, London
Thyssen-Bornemisza Collection
Tullie House Museum and Art Gallery, Carlisle
Victoria and Albert Museum, London
Whitworth Art Gallery, Manchester
Wolverhampton Art Gallery

SELECTED BIBLIOGRAPHY

BOOKS AND CATALOGUES

Agnew, Julian. Looking Forward: Thirty Contemporary British Artists. London: Agnew’s, 2007.

Alley, Ronald. British Painting Since 1945. London: Tate Gallery, 1965.

Alloway, Lawrence. Pop Art. London: Thames and Hudson, 1965.

Amaya, Mario. Pop as Art: A Survey of the New Surrealism. London: London Studio Vista, 1965.

Bailey, David and Peter Evans. Goodbye baby and amen; a saraband for the Sixties. London: Coward-McCann, 1969.

Barnes, Rachel. The 20th-Century Art Book. London: Phaidon Press, 1997.

Blake, Peter. Paris Escapades. London: Enitharmon Editions, 2011.

Blake, Peter. Peter Blake’s Selection Exhibition. Festival Bath: Gallery, 1974.

Blake, Peter. Royal Academy Illustrated 2001. London: Royal Academy of Arts, 2001.

Blake, Peter, Dawn Ades, and Natalie Rudd. Peter Blake about Collage. Liverpool: Tate Gallery, 2000.

Bonn, Sally. L’Art en Angleterre 1945–1995. Paris: Nouvelles Editions Françaises, 1997.

Brett, James. The Museum of Everything #3. London: The Museum of Everything, 2010.

Byatt, A.S. Writers on Artists. DK Publishing and Modern Painters: 2001.

Capelo, Francisco. The Berardo Collection. Portugal: Sintra Museum of Modern Art, 1996.

Christopher, Ann. Royal Academy Illustrated 1991. London: Royal Academy of Arts, 1991.

Coleman, Roger. Peter Blake. Bristol: City Art Gallery, 1969.

Collings, Matthew. Blimey!. Cambridge: 21 Publishing, 1997.

Compton, Michael. Art Since 1945. Buckinghamshire: Milton Keynes Open University, 1976.

Compton, Michael. Peter Blake. London: Tate Gallery, 1983.

Compton, Michael. Pop Art. London, 1970.

Crone, Rainer. Peter Blake. Amsterdam: Stedeljik Museum, 1973.

Crone, Rainer. Peter Blake. London: Tate Gallery, 1983.

Crook, Jo and Tom Learner. The Impact of Modern Paints. London: Tate Gallery, 2000.

Cuming, Frederick. Royal Academy Illustrated 2003. London: Royal Academy of Arts, 2003.

De Cruz, Gemma, Amanda Eliasch. British Artists at Work. New York: Assouline, 2003.

Delaney, Barry. A Celebration of 20 Years of The Groucho Club. London: The Groucho Club, 2005.

DePaoli, Geri. Elvis + Marilyn: 2 x Immortal. New York: Rizzoli International Publications, 1994.

Design and Artists Copyright Society. Twenty Years. London: The Mall Galleries, 2004.

Dienst, Rolf-Gunter. Pop Art. Wiesbaden: Limes Verlag, 1965.

Fermon, An Jo. Post-War to Pop. Modern British Art: Abstraction, Pop and Op Art. London: Whitford Fine Art, 2008.

Finch, Christopher. Image as Language, Aspects of British Art, 1950–1968. Harmondsworth: Penguin, 1969.

Francis, Mark. Les Annees Pop, 1956–1968. Paris: Centre Pompidou, 2001.

Fraser Jenkins, David. Figure, Landscape, Still Life. London: Jonathan Clarke & Co, 2008.

Gardner, Belinda Grace. The Ear of Giacometti: (Post-)Surreal Art from Meret Oppenheim to Mariella Mosler. Hamburg: Kerber Art and Levy Gallery, 2010.

Grunenberg, Christoph and Laurence Sillars. Peter Blake: A Retrospective. London:Tate Publishing, 2007.

Grunenberg, Christoph and Laurence Sillars. Peter Blake Retrospectiva. London: Tate Publishing and Museo de Bellas Artes de Bilbao, 2007.

Guadagnini, Walter. Peter Blake: Collagen und Arbeiten auf Papier, 1956–2008. Hamburg: Levy Galerie, 2008.

Guadagnini, Walter, Marco Livingstone and Luca Massimo Barbero. Pop Art UK: British Pop Art. Moderna: Palazzo Santa Margherita and Palazzina dei Giardini, 2004.

Guadagnini, Walter, Lorand Hegyi, Daniela Lancioni. Pop Art, 1956–1968. Rome: Rome and Silvana Editoriale, 2007.

Guide to the Collections of the Tate Gallery. London: Tate Gallery, 1970.

Hackney, Stephen. Completing the picture: materials and techniques of twenty-six paintings in the Tate Gallery.London: Tate Gallery, 1970.

Harrison, Martin. Transition: The London Art Scene in the Fifties. London: Barbican Art Galleries, 2001.

Huntington-Whiteley, James. Football. London: Gallery 27, 1996.

Hyman, James. The Battle for Realism. New Haven and London: Yale University Press, 2001.

Jacques, Alison. Peter Blake, Patrick Caulfield, Howard Hodgkin: Paintings from the 60s and 70s. London: Waddington Galleries, 1995.

Jones, Allen and David Hockney. Royal Academy Illustrated 2004. London: The Royal Academy of Arts, 2004.

Kamon, Yasuo. Revolution: Art of the Sixties from Warhol to Beuys. Tokyo: Museum of Contemporary Art, 1995.

Kaye, Michael and Alan Bowness. Peter Stuyvesant: A Collection in the Making. London, 1965.

Käthe Monem, Nadine. Pop Art Book. Wolverhampton: Black Dog Publishing and Wolverhampton Art Gallery, 2007.

Kultermann, Udo. The New Painting. London: Pall Mall Press, 1969.

Lambirth, Andrew. A Cabinet of Curiosities from the Collection of Peter Blake. London: Morley Gallery, 1999.

Lane, Hilary. Ready, Steady, Go: Painting of the Sixties from the Arts Council Collection. London: South Bank Centre, 1991.

Levy, Thomas and Alexander Sairally. Marilyn: Una Vida de Leyenda. Barcelona: Mediterrània, 2004.

Livingstone, Marco. British Pop. Bilbao: Museu de Bellas Arts de Bilbao, 2005.

Livingstone, Marco. Peter Blake. Paris: Galerie Claude Bernard, 1995.

Livingstone, Marco. Peter Blake: One Man Show. London: Lund Humphries, 2009.

Livingstone, Marco. Peter Blake: Venice Fantasies. London: Enitharmon Editions, 2009.

Livingstone, Marco. Pop Art. London: Royal Academy of Arts, 1991.

Livingstone, Marco. Pop Art. Montreal: Montreal Museum of Fine Arts, 1992.

Livingstone, Marco. The Pop ‘60s: Transatlantic Crossing. Lisbon: Fundaçao das Descobertas and Centro Cultural de Belém, 1997.

Livingstone, Marco and Colin Wiggins. Now We Are 64: Peter Blake at the National Gallery. London: National Gallery, 1996.

Lloyd, Alison. The Painter in Glass. Swansea: Glynn Vivian Art Gallery, 1992.

Lores, Maite and Keith Patrick. From Bacon to Now: The Outsider in British Figuration. Milan: Electa, 1991.

Lucie-Smith, Edward. Art Today: from Abstract Expressionism to Surrealism. London: Phaidon Press, 1977.

Lucie-Smith, Edward. Movements in Art Since 1945. London: Thames and Hudson, 1969.

McCaughey, Patrick. The School of London and Their Friends. New Haven: Yale Center for British Art, 2000.

Melly, George and Louisa Buck. The Colony Room Club 2001: A Space Oddity. London: A22 Projects, 2001.

Melville, Robert. English Pop Art-Figurative Art Since 1945. London: Thames and Hudson, 1971.

Melville, Robert. Peter Blake. London: Robert Fraser Gallery, 1965.

Melville, Robert. Three Painters / Peter Blake, Jim Dine, Richard Hamilton. Birmingham: Midlands Art Center, 1967.

Melville, Robert. The Durable Expendables of Peter Blake. London: Tate Gallery, 1983.

Mercurio, Gianni and Stefan Petricca. Marilyn Monroe: The Life, The Myth. New York: Rizzoli, 1995.

Meyric Hughes, Henry and Gijs van Tuyl. Blast to Freeze: British Art in the 20th Century. New York: Kunstmuseum Wolfsburg and Hatje Cantz Publishers, 2003.

Mis, Zaira. Peter Blake. Brussels: Artiscope, 2003.

Modern British Art. London: Jonathan Clark Fine Art, 2003.

Moorhouse, Paul. Pop Art Portraits. London: National Portrait Gallery Publications, 2007.

Mulder, Jorge and Rui Sanches. Treasure Island. Lisbon: Calouste Gulbenkian Foundation, 1997.

Nilsson, Bo. Peter Blake: 1975–2005. Stockholm: Wetterling Gallery, 2006.

Orr, Chris and Stephen Farthing. Royal Academy Illustrated 2005. London: Royal Academy of Arts, 2005.

Ovenden, Graham. The Art c…s, a reply to the critics of Mr. Peter Blake R.A. The Roseacre Press: 1983.

Peppiatt, Michael. Peter Blake. Paris: Galerie Claude Bernard, 2009.

Peter Blake Collages and Works on Paper 1956–2008. Hamburg: Levy Galerie, 2008.

Petry, Michael. The Art of Not Making: The New Artist / Artisan Relationship. London: Thames and Hudson, 2011.

Pierre, José. Pop Art: An Illustrated Dictionary. London: Methuen Publishing, 1977.

Preston, Clare. Peter Blake: Collage. London: Thames and Hudson, 2021.

Rhys-Jones, Griff. Essence of Humour. London: Crane Kalman Gallery, 1997.

Rifkin, Ned. Pop Art U.S./U.K. Connections, 1956–1966. Berlin: Hatje Cantz Publishers. 2001.

Robertson, Bryan, John Russell and Lord Snowdon. Private View: The Lively World of British Art. London: Nelson Verlag, 1965.

Riley, Richard. As Is When: A Boom in British Printmaking, 1961–1972. London: British Council, 2003.

Rudd, Natalie. Peter Blake. London: Tate Publishing, 2003.

Russell, John and Suzi Gablik. Pop Art Redefined. London: Thames and Hudson, 1969.

Schneede, Uwe. Peter Blake. Hamburg: Kunstverein, 1973.

Shone, Richard. The Century of Change: British Painting Since 1900. London: Phaidon Press, 1977.

Smakprov. Wetterling Gallery 1978–1998. Stockholm: Wetterling Gallery, 1998.

Stephens, Chris and Katherine Stout. Art and the Sixties: This was Tomorrow. London: Tate Britain, 2004.

Sturgis, Alexander. Peter Blake: A Museum for Myself. Bath: The Holburne Museum, 2011.

Sunderland, John. Painting in Britain 1525 to 1975. London: Phaidon Press, 1976.

The Tate Gallery 1968–70. London: Tate Gallery, 1970.

The Tate Gallery 1978–80. London: Tate Gallery, 1980.

The Tate Gallery 1978–80. London: Tate Gallery, 1981.

Turk, Gavin and Michael Menson. Peter Blake Sculpture. London: The London Institute Gallery, 2003.

United Kingdom United States. London: Waddington Galleries, 2002.

Usherwood, Nicholas. Peter Blake and the Ruralists. London: Tate Gallery, 1983.

Usherwood, Nicholas. The Brotherhood of Ruralists. London: Tate Gallery, 1983.

Vaizey, Marina. Peter Blake, Royal Academy Painters and Sculptors. London: Weidenfeld & Nicholson, 1986.

von der Osten, Gert and Peter Ludwig. Collage: The Pasted-Paper Revolution. London: Crane Kalman Gallery, 1998.

Wetterling, Bjorn. Wetterling Gallery presents The 30th Anniversary. Stockholm: Wetterling Gallery, 2008.

Wilding, Alison. Royal Academy Illustrated 2002. London: Royal Academy of Art, 2002.

Wilson, Simon. Pop. London: Thames and Hudson, 1974.

Wilson, Simon. Tate Gallery: An Illustrated Companion. London: Tate Gallery, 1989.

Yoshiaki, Toro. The Pop Image of Man. Art Now: Toyko, 1971.

Zoubok, Pavel. Collage: Signs and Surfaces. New York: Pavel Zoubok Gallery, 2005.

PERIODICALS

“A Pop Classic.” The Lady, March 3, 1983.

Adams, Tim. “Sir Peter Blake: ‘All a Country Has is its Culture; the Rest is Infrastructure.’” The Guardian, May 21, 2017.

Alberge, Dalya. “The Great Pop Art Swap Shop.” Financial Times, March 24, 2015.

Alkayat, Zena. “Blake’s Progress.” Artists & Illustrators (December 2010): 14–18.

Almagia, Karolina. “De Liverpool a Bilbao: Peter Blake Presenta Su Gran Retrospectiva.” Diario Gara, March 4, 2008.

Amaya, Mario. “Peter Blake the Ultimate Fan Male,” Studio International 196 (April/May 1983): 31–33.

“An Artist’s View.” Camera Weekly, February 5, 1983.

Arnold, Bruce. “Interview with Sir Peter Blake.” New York Waste, Summer 2011: 9.

“Art.” Big Issue, November 21, 2010.

“’Art’ Column.” Asahi Journal (Japan), June 17, 1988: 44.

“Art News.” Geijutsu-Shincho (Japan) (1988): 64–71.

“Artifice to Awfulness.” Daily Telegraph, February 12, 1983.

“Artists as Collectors.” Art Quarterly, March 1, 2015.

“Artist Blake’s Debt to Bristol.” Evening Post (Bristol), February 9, 1983.

Bankes, Ariane. “What’s on Your Walls?” RA Magazine (December 2010).

Banks, Nargess Shahmanesh. “Pop Art Car: the Bentley by Sir Peter Blake.” Wallpaper*, April 19, 2016.

“Barbican Puts Artists’ Personal Collections on Show.” BBC News, September 17, 2014.

Barber, Lynn. “Blake’s Progress.” The Observer, June 17, 2007.

Barlow, Anthony. “Art: Now We Are 64.” This is London, October 25, 1996.

Barnes, Freire. “Magnificent Obsessions: Your Ultimate Guide.” Time Out, February 9, 2015.

Barnes, Rachel. “Have a Nice Day, Mr. Blake.” The Guardian, March 18, 1994: 6.

Baro, Gene. “London: a Busy, Vigorous Season.” Arts Magazine 40 no. 3 (January 1966): 45–49.

Barrett, Anne. “Peter Blake, the beatniks and their lost Pop Art furniture.” Financial Times, February 7, 2020.

Barrett, Frank. “Bardot to Elvis…They’re All Part of Blake’s Heaven.” The Mail on Sunday, August 14, 2011: 45.

Barten, Walter. “Absurde Machines en Charmante Verteelkunst.” De Groene Amsterdammer, October 24, 1973.

Bartholomew, Emma and Phoebe Greenwood. “Sounds: So Let Me Introduce to You...’ The Times, May 25, 2007: 13–15.

Battaglia, Anthony. “How Sir Peter Blake Became Britain’s Preeminent Pop Star.” Art in America, May 14, 2021.

“Beatles’ Favourite Pop Artist Launches New Psychedelic Exhibition.” Daily Post, June 18, 2005.

Benedictus, David. “Portrait of the Artist.” Radio Times, February 19–25, 1983.

Bennett, Oliver. “Hanging Cool.” The Sunday Times, October 12, 2008: 58–61.

Bennett, Oliver. “Post-War Excitement: The Attraction of Collecting Pop Art.” The Independent, March 20, 2004: 10–11.

Bernard, Kate. “Tempera Fugit.” Harpers & Queen, March 1993: 150–54.

Berro, Irune. “Pop Artearen Aita.” Diario Berria, March 4, 2008.

Berryman, Larry. “Ready, Steady, Go.” Arts Review 44 (1992): 112–13.

Berthoud, Roger. “Blowing His Cover.” The Times, February 14, 1983.

“Beyond the Beatles: Peter Blake’s Pop Art on Paper.” The Guardian, August 23, 2016.

Biggs, Lewis. “The Ruralists.” Arnolfini Review (Bristol) (April 1981): 1–2.

Biscoe, Stephen. “Bottom Line on Art and Humour.” Yorkshire Post, January 24, 1997: B3.

Bishop, Sophie. “Pop-Culture Vulture.” Mayfair Times, November 2010: 20.

“Blake Art Bus Set for Launch.” Art of England (June 2009): 58–61.

“Blake: Leading Light of Pop Art.” BBC News, June 14, 2002.

“Blake Makes Mersey Ferry Dazzle.” Independent, February 2, 2015.

“Blake on Joyce.” Sunday Times, October 28, 1984.

Blake, Peter. “Bedford Gallery’s Good Showing.” Times, October 27, 1962: 4.

Blake, Peter. “Contrariwise.” Aspects, no.3 (1978): 1–2.

Blake, Peter. “Inspirations: Peter Blake.” Quarterly (Autumn 2004): 80.

Blake, Peter. “Linda McCartney and John Lennon.” Modern Painters 1, no. 4 (Winter 1988): 83.

Blake, Peter. “Madonna of Trafalgar Square.” The Daily Telegraph, September 21, 1996.

Blake, Peter. “Madonna of Trafalgar Square.” Reader’s Digest, December 1996.

Blake, Peter. “Only Sixteen.” Ark, no.25 (1960): 29.

Blake, Peter. “Peter Blake on Portobello.” Ritz Newspaper, June 1989.

Blake, Peter. “Peter Blake Paris ’83.’” Ritz Newspaper, November 1983.

Blake, Peter. “Peter Blake’s A-Z.” Tate (November/December 2003): 54–59.

Blake, Peter. “Stars of Stage and Scream.” The Guardian, October 18, 1996: 9.

Blake, Peter. “Supermidget with Mini-Man.” Ark, no.24 (Winter 1959): 44.

Blake, Peter. “The Pick of the Academy Class of ’88.’” The Independent, June 28, 1988.

Blake, Peter. “’The Ruralists’ Profile.” Art and Design, no.23 (1991).

Blake, Peter. “The Spirit of Pop Art.” Observer Magazine, December 4, 1994: 28–31.

Blake, Peter. The Telegraaf (Amsterdam), November 2, 1973.

Blake, Peter. “Wrestling.” Art Review 45 (June 1993): 39.

“Blake’s Flights of Fancy.” Independent, November 17, 2010: 28–29.

“Blake’s Heaven.” Harpers Bazaar, December 2010: 180.

“Blake’s Stake for Stardom.” Topic, December 16, 1961: 35.

Boland, Stephanie. “From Warhol to Hirst, Artists’ Collections Give a Personal Take on the Twentieth Century.” New Statesman, February 12, 2015.

“Book it Now.” Sunday Times, November 14, 2010: 19.

Brady, Anna. “The Godfather Pays Homage.” Antiques Trade Gazette, December 1, 2010: 37.

Bratby, John. “R.C.A: Exhibition Road.” Modern Painters (Summer 1988): 67.

Brookner, Anita. The Burlington Magazine 104, no. 710 (May 1962): 227.

Brooks, Richard. “They are My Fortune. I Hate Them.” Sunday Times, January 25, 2015.

Brown, Jane. “The Brotherhood of Ruralists and Their Friends in the Secret Garden.” Hortus, no. 9 (Spring 1989).

Brown, John. “Blake’s Heaven.” London Gentleman (March 1986): 27.

Brown, Mark. “Damien Hirst’s Stuffed Animals Among Artists’ Obsessions on Show at Barbican.” The Guardian, February 12, 2015.

Brown, Mark. “Mersey Ferry Gets the Dazzle Treatment from Sir Peter Blake.” The Guardian, April 2, 2015.

Buck, Louisa. “Interview with Sir Peter Blake: ‘I made a conscious decision to be kind to younger artists’.” Art Newspaper, September 30, 2010.

Buck, Louisa. “To Have and to Hold: Magnificent Obsessions at the Barbican.” The Telegraph, February 14, 2015.

Bumpus, Judith. “Do You Believe in Fairies?” RA Magazine, no.57 (Winter 1996): 32–37.

Bumpus, Judith, ‘Do you Believe in Fairies?” RA Magazine (Winter 1997): 36.

Burn, Gordon. “Blake’s Progress.” The Sunday Times Magazine, January 30, 1983.

Burn, Gordon. The Sunday Times Magazine, February 20, 1983.

Burr, James. “The Agonies of Human Protest.” Apollo 82, no. 44 (October 1965): 340–42.

Burt, Kate. “How We Met: Peter Blake & Gavin Turk.” The Independent, January 18, 2009.

Byrne, Beverley. “Pop Goes the Artist.” The Lady, (October 1996): 1–7.

Byrt, Anthony. “’Exhibition #3’ The Museum of Everything.” Artforum 49, no. 6 (February 2011).

Cameron, Dan. “Contents Under Pressure.” Artforum 28, no. 3 (November 1989): 125.

Campbell-Johnston, Rachel. “Art’s First Night.” The Times, May 18, 2011: 13.

Campbell-Johnston, Rachel. “Meet the Professional Hoarders.” The Times, February 13, 2015.

Carlisle, Isabel. “California Dreaming.” The Times, October 3, 1996: 36.

Carrier, Dan. “A Knight at the Museum.” Camden New Journal, October 29, 2010.

Carrrera, J.A. González. “El Museo de Bilbao Exhibirá en 2008 una Retrspectiva de Peter Blake.” El Correo (Spain), October 29, 2007.

Carrrera, J.A. González, “El Ãno de Peter Blake, el Joven Murillo y el Tintoretto del Museo Cerralbo.” El Correo (Spain), December 15, 2007.

Carrera, J.A. González. “Maestro del Pomodernismo.” El Correo (Spain), March 4, 2008.

Carrera, J.A. González. “Quiero a la Reina Isabel y Quise aún Más a Su Madre.” El Correo (Spain), March 4, 2008.

Castañeda, Germán. “Peter Blake: Medio Siglo de Pop.” Revista aux Magazine, April 2008.

C.E.B. “High Art in the Commonplace.” Eltham Times, February 21, 1983.

Charris, Ángel Mateo. “Peter Blake: El Gran Fan.” Arte y Parte, No. 74 (April/May 2008).

Chaundy, Bob. “Sir Peter Blake:Still Pushing the Boundaries of Pop Art.” Huffington Post, September 26, 2014.

Christie, Alix. “The Objects that Make Artists Tick.” More Intelligent Life, February 13, 2015.

Crichton, Fenella. “London Letter.” Art International 21, no. 3 (May/June 1977): 69–73.

“Critic’s Choice.” Time Out, November 17, 2010.

Cochrane, Lauren. “James Brett.” House (December 2010).

Cocker, Jarvis. “Bringing order to the chaos of reality… Jarvis Cocker interviews six collectors.” The Guardian, May 8, 2022.

Coia, Emilio. “Rural Touch at the Third Eye.” The Scotsman, July 27, 1981.

Coleman, Roger. “A Romantic Naturalist–Some Notes on the Paintings of Peter Blake.” Ark: Journal of the Royal College of Art (November 18, 1956): 60–61.

Coleman, Roger. “The Art of Counterfeit.” Painter and Sculptor 1, no. 1 (1958): 21–23.

Coleman, Roger. “Peter Blake’s Nostalgia.” Art and Artists 4, no. 10 (January 1970): 30–32.

“Collector’s Editions.” Elle Decor, March 2015.

Collings, Matthew. “Take a Pop!” Independent on Sunday, June 27, 2004: 9.

Compton, Michael. “Pop Art in Britain.” Art and Design: Pop Art, no. 24 (1992).

Compton, Michael: “’The Lettermen’ by Peter Blake.” Bulletin (April/June 1965): 1–2.

Compton, Nick. “The Barbican’s Latest Show Opens the Doors to Artists’ Cabinets of Curiosities.” Wallpaper*, February 16, 2015.

Connolly, Ray. “Certainly I was Never a Child Prodigy. It All Happened by Chance. The Luck Went for Me.” The Times, November 4, 1989.

Conroy, Jade. “Sir Peter Blake Artwork Unveiled at the Mandarin Oriental Hyde Park, London.” Telegraph, January 17, 2017.

Cork, Richard. “Blake’s Passion for the Past.” Evening Standard, December 21, 1972: 25.

Cork, Richard. “Happy Return of the Ruralist.” The Standard, February 10, 1983.

Cossons, Malcolm. “Hunting and Gathering.” Sotheby’s at Auction (January 1, 2015).

“Council’s Proposed Pop Art Purchase Angers Tories.” The Times, August 15, 1980: 2.

Coxhead, Gabriel. “Exhibition of the Week: Exhibition #3.” Time Out, November 18, 2010.

Coxhead, Gabriel. “Review.” Time Out, February 24, 2015.

Crichton, Fenella. “London Letter.” Art International 19, no. 4 (April 1975): 37–41.

Cripps, Charlotte. “A Magnificent Cornucopia.” The Independent, January 31, 2015.

———.“Cultural Life: Peter Blake.” The Independent, September 9, 2005: 2.

———. “Peter Blake: focusing on his portraits.” Independent, November 6, 2015.

Crow, Thomas. “London Calling: The Sixties Art Scene in London.” Artforum 31, no. 10 (Summer 1993): 80–85.

Crow, Thomas. “The Children’s Hour: Pop Art at the Royal Academy.” Artforum 30, no. 4 (December 1991): 84–88.

Cumming, Ed. “Sir Peter Blake: ‘When people say Sgt Pepper is the greatest cover of all time, I celebrate the fact.’” The Guardian, November 29, 2014.

Cumming, Laura. “I May Not Be a Pop Star Anymore but I Can Copy a Courbet.” Observer Magazine, July 1, 2007: 21.

D.M.Z. “Queer Goings on at Sadlers Wells.” Artline 2, no. 1 (April 1984).

Dalemans, Renú. “Goya: Revista de Arte.” Cronica de Bruselasa, no. 119 (March/April 1974): 309–10.

Dalton, John. “Midland Pop.” The Guardian, June 4, 1963: 7.

Davies, Elliot. “Coming Soon.” Independent on Sunday, January 18, 2015.

Davies, Hunter. “Portrait of the Artist (A Work in Progress).” The Independent, May 19, 1992.

Davies, Lorna. “Pop Goes the Easel.” Mayfair Times, January 1, 2014.

Davies, Lucia. “Peter Blake on Collecting.” AnOther, May 16, 2011.

Davies, Lucy. “Peter Blake interview: ‘The liquid in my brain was running out of my nose’.” The Telegraph, July 6, 2018.

———. “Peter Blake at 90: ‘I’m not appropriate anymore’.” Telegraph, June 4, 2022.

Davies, Serena. “In the Studio.” Daily Telegraph, December 13, 2005: 22.

Dawood, Sarah. “All Aboard Sir Peter Blake’s ‘Dazzling’ Overhaul of the Mersey Ferry.” Design Week, April 2, 2015.

Dawson, Amy. “Ye Olde Curiosities Shoppe.” Metro, November 1, 2010.

Dehn, Georgia. “The Artist as Collector.” Telegraph Luxury, January 17, 2015.

Denvir, Bernard. “London Letter.” Art International 14, no. 1 (January 1970): 77–80.

Denvir, Bernard. “London Letter.” Art International 15, no. 2 (February 1971): 42–45.

Dillon, Brian. “Curios and Curiouser: The Weird and Wonderful Stuff that artists Collect.” The Guardian, February 9, 2015.

Duncan, Alistair. “On the Grid: Art Icons of the Sixties.” Evening Standard Magazine, July 2, 2004: 10.

Dunlop, Ian. “Peter Blake: Nostalgia and Pop.” Evening Standard, July 7, 1969.

Dury, Ian. New Musical Express, July 19, 1980: 27–28.

Dutt, Robin. “Artists Take the Money.” The Independent, July 5, 1988.

Dutt, Robin. “Custodian of Curiosities.” Evening Standard, October 8, 1999: 33.

“Drop Everything.” Quantas (October 2010).

Drury, Ian. “Picture Choice.” The Independent, October 8, 1991: 15.

“Editorial & Opinion, Performance Notes.” The Independent, July 3, 2004: 43.

“El Arte Pop Británico de Peter Blake llega a Bilbao.” Diario Metro, March 4, 2008.

“El Bellas Artes Acoge la Retrospectiva de Peter Blake, el Padrino del Arte Pop.” Noticias de Gipuzkoa (Spain), March 4, 2008.

Ellen, Mark. “Blake’s Progress.” Saga Magazine, May 30, 2012.

Ellis–Peterson, Hannah. “Chatsworth Treasures Unveiled in Relaunch of the Grand Tour.” The Guardian, October 7, 2014.

Ellis-Peterson, Hannah. “Exhibition Celebrates Sir Peter Blake’s Wood Engravings.” The Guardian, November 21, 2014.

“Espejo de la Cultura Popular.” Diario 20 Minuto, March 4, 2008.

Esparza, Ramón. “Peter Blake un Pop Sin Glam.” El Pais, March 20, 2008.

Evening Standard, February 24, 2006.

“Everybody Razzle Dazzle.” Liverpool Express, February 2, 2015.

“Exhibition #3.” ARTINFO, December 9, 2010.

“Exhibition #3 at The Museum of Everything.” Kulkureflash, September 29, 2010.

“Exhibition Review: Magnificent Obsessions.” Country Life, May 28, 2015.

“Exposición en Bilbao del ‘Padrino’ del Arte Pop, Peter Blake.” El Diario Vasco, March 5, 2008.

“Exposición Retrospective de Peter Blake.” Revista el Punto de Las Artes, March 7, 2008.

Falconer, Morgan. “Master of Ceremonies.” World of Interiors, May 1, 2015.

Farr, Dennis. “The John Moores Liverpool Exhibition.” Burlington Magazine 104, no. 706, January 1962: 30–31.

Farson, Daniel. “Peter’s Fun Confection is Half-Blaked.” Sunday Express, September 29, 1996.

Fdez.- Costa, Rubén. “El Increíble Mr. Blake.” Revista Liverpool (March 2008).

“Features: Peter Blake.” Matchbox (2009): 39–40.

Feaver, William. “Bardot and Beaux Arts.” Observer Magazine, February 14, 1983.

Feaver, William. “Blake’s Thing.” Vogue, February 1983.

Feaver, William. “Hellbent Descent into the Funfair.” Observer Magazine, September 15, 1991.

Feaver, William. “London Letter.” Art International 17, no.3 (March 1973): 56–59.

Feaver, William. “Planes, Trains, Bathing Beauties, and Elvis.” ArtNews (April 2000): 114–16.

Feaver, William. “The Stella Collection.” Observer Magazine, May 8, 1977: 28.

Feaver, William. Observer Magazine, September 4, 1977: 7.

Feaver, William. “Tinkerbell Lives...on the Brotherhood of Ruralists.” Observer Magazine, September 6, 1981: 25.

Fernández, Alicia. “Blake, el Abuelo del Pop.” Revista Descubrir el Arte (March 2008).

Field, Simon. “The Pleasure Principle.” Art and Artists 4, no. 2 (May 1969): 56–57.

“Film Star Marilyn is Just Peter’s Palette.” Western Daily Press (Bristol), February 21, 1990.

Fleming, Amy. “Pieces of Me.” The Guardian, November 8, 2005: 4–5.

Flint, Kate. “Cricket and Crab-Apples. Times Literary Supplement, no.4074 (May 1, 1981): 466.

Ford, Simon. “Resources: Books and Exhibitions Catalogues.” Arlis News-sheet, no. 202 (November/December 2009): 2–3.

Fox, Sue. “Time and Place: Sir Peter Blake.” Sunday Times, March 5, 2015.

Freeman, Nate. “Magnificent Obsessions: Art World Abstracts.” New York Observer, February 6, 2015.

“From A to Z: the ‘Godfather’ of British Pop Art, Peter Blake, now 74, is Quick to Dispel Any Rumours of a Retirement. In Fact, Right Now he Seems to be Busier than Ever...” Art of England (September 2006): 14–19.

Fuller, Peter and Peter Blake. Arts Review 25, no. 25 (December 1, 1973): 834.

Fuller, Peter. “Peter Blake Meets Peter Fuller.” Aspects, no. 6 (Spring 1979).

García, Arturo. ‘Padrino del Pop Art.” El Dario Vasco, February 29, 2008.

Garner, Lesley. “Jolly Blake Spreads the Jokes too Thin.” Daily Express, October 4, 1996.

Gayford, Martin. “Classic Fun and Games.” Daily Telegraph, October 9, 1996.

———. “The king of collage – an interview with Peter Blake.” Apollo, June 12, 2021.

Geldof, Bob. “Why Me, I Kept Asking?” Sunday Times Magazine, April 27, 1986: 30.

Giddins, Tom. “Museum of Everything #3.” Dazed & Confused, November 1, 2010.

Gilmour, Pat. “Peter Blake Print Retrospective.” Arts Review 26, no. 9 (May 1974): 246–48.

Gleadell, Colin. “Galleries Chase a New Face in the Collector Crowd.” Daily Telegraph, February 7, 2006: 26.

Gleadell, Colin. “Market News.” Telegraph, November 16, 2010.

Glover, Michael. “British Masters.” Independent Magazine, June 26, 2004: 12.

Glover, Michael. “Images that Stand Out in a Crowd.” The Independent, August 21, 2003: 14.

Glover, Michael. “Pop’s Magical Mystery Tour.” times2, June, 27, 2007: 15.

Greenacre, Francis. “Acquisitions of Modern Art by Museums.” Burlington Magazine 112, no. 812 (November 1970): 775–86.

Greenwood, Michael. “British Painting ’74.’” Artscanada, nos. 196/7 (March 1975): 29–34.

Goffey, Danny. “Q & A, Backbeat.” Observer Magazine: Music Monthly, May 23, 2004: 58.

Goldberg, Vicki. “A Pair of Saints Who Refuse to Stay Dead.” New York Times, December 18, 1994: 49.

Gordon, Alastair. “Art in the Modern Manner.” Connoisseur 161, no. 647 (January 1966): 38–39.

Gordon, Alastair. “Art in the Modern Manner.” Connoisseur 172, no. 692 (October 1969): 100–01.

Gosling, Nigel. “Notions from the Nursery.” Observer, December 17, 1972: 31.

Graham, Mhairi. “The Artist as Collector.” AnOther, February 17, 2015.

Greig, Geordie. “Blake’s Progress.” Modern Painters (Autumn 1996): 72–74.

Greig, Geordie. “Outraged of the Royal Academy.” Sunday Times, September 15, 1991.

Grimley, Terry. “The Ruralists.” Birmingham Post, June 3, 1981.

Grimwood, Brian. “Waxworks to Cossacks.” Journal of the Associations of Illustrators (February/March 2005): 14–21.

Hackworth, Nick. “Show & Tell: Peter Blake’s Package Holiday.” Dazed & Confused (November 2005): 175.

Harrington, Richard. “Drawn to Music: From Sgt. Pepper to Sketches of Clapton.” Washington Post, October 25, 1992.

Harris, Lucian. “What’s On.” Art Newspaper, October 2005: 7.

Harrison, David. “Getting Back to Nature.” Bristol Evening Post, February 11, 2003: 35.

Harrison, Sara. “Peter Blake.” Time Out, December 10, 2003: 56.

Harrod, Horatia. “Peter Blake: The Peter Pan of Pop Art.” Seven, The Telegraph, May 28, 2009.

Hastings, Sophie. “This new Peter Blake exhibition reveals just how experimental he’s been.” GQ UK, June 24, 2021.

Henry, Clare. “A New Lease of Life Now He’s 64.” Scottish Herald, October 1, 1996.

Henry, Clare. “Painters Akin to Nature.” Glasgow Herald, July 24, 1981.

Hensher, Philip. “Masters of Allusion.” Mail on Sunday Review, October 6, 1996.

Higgins, Ria. “A Life in the Day.” Sunday Times Magazine, August 3, 2003: 54.

Higgins, Ria. “Relative Values.” Sunday Times, May 30, 2004.

Hillier, Bevis. “Pin-Ups & Packaging, Collage, Collecting and Peter Blake.” Apollo 163, no. 529 (March 2006): 40–45.

“How Pop is Peter Blake.” Spectator, December 5, 2015.

Hughes, Robert. “Blake and Hockney.” London Magazine 5, no. 10 (January 1965): 68–73.

Hyatt, Derek. “What is Real?” Modern Painters (Spring 1996): 106–107.

Hyde, Hick. “Beatles Artist to Make his Mark on the Prom.” Blackpool Gazette, February 19, 2003: 5.

“‘I loved the theatre, the fantasy, and the idea of good versus evil’: Peter Blake, the art world’s No. 1 wrestling fan.” Christie’s, March 8, 2022.

Ibarz, Mercè. “El Pop Redescubierto.” La Vanguardia,April 13, 2008.

ILEA Contact, March 4, 1983.

‘Inside the Treasure Trove of Peter Blake, the Man who Designed Sgt Pepper.” Times, October 4, 2017.

Ironside, Robin. “The Prize Paintings.” Sunday Times, November 19, 1961: 38.

“Is it Art?” Daily Sketch, January 20, 1960.

Jacob, Olaia F. “El Museo de Bellas Artes Rinde Tributo al ‘Abuelo del Pop.’” Diario el Mundo (El Salvador), March 4, 2008.

Jaio, Miren. “Peter Blake.”El Pais, May 21, 2008.

Jacques, Adam. “Holly Johnson and Peter Blake: How We Met.” The Independent, October 12, 2014.

Januszczak, Waldemar. “Art & the 60s: This Was Tomorrow Could Just as Easily be Today.” Sunday Times, July 4, 2004: 8–9.

Januszczak, Waldemar. “Blake’s Progress.” The Guardian, February 9, 1983.

Januszczak, Waldemar. “Cheeky Monkey.” Sunday Times, October 13, 1996.

Januszckak, Waldemar. “The Tears of a Clown.” Sunday Times, July 1, 2007: 16–17.

Jarvis, Kate. “The Grandpop of Art.” Cotswold Life, December 1, 2010: 86–89.

Johnson, Holly. “Meeting the Magician.” Modern Painters (Spring 2000): 90–94.

Jones, Catherine. “Sir Peter Blake to Give Mersey Ferry a Razzle Dazzle Makeover.” Liverpool Echo, February 5, 2015.

Jones, Dylan. “Blake’s Progress.” Arena (October 1996): 50–51.

Jones, Jonathan. “‘The Beatles? I was more a fan of the Beach Boys’: Peter Blake at 90 on pop art and clubbing with the Fab Four.” The Guardian, June 15, 2022.

Joyce, Barry. “Peter Blake: Pop artist.” Modus Vivendi: South-West Essex Technical College and School of Art Magazine 1, no. 1 (October 1966): 12–14.

Jury, Louise. “Blake Emerges from his ‘Conceptual Retirement,’ Aged 71, for Final encore.” The Independent, November 11, 2003: 9.

Kane, Tony. “Peter Blake.” Time and Leisure (September 2009): 15.

Kelk, Fanny. “Popart in het Stedeljik Museum.” Het Parool (Amsterdam), October 26, 1973.

Kemp, Jackie. “Cheeta..the Furry Sidekick with an Artistic Bent.” Scotland on Sunday, October 6, 1996.

Kemp, John. “Peter Blake Talks to John Kemp.” Artseen, no.15 (1987): 8–10.

Kennedy, Maev. “Mersey Ferry to Become Sir Peter Blake Artwork.” The Guardian, February 2, 2015.

Kent, Sarah. “Blake’s Visions.” Time Out, February 25, 1983.

Lacey, Hester. “How We Met: Peter Blake & Rick Stein.” Independent on Sunday, March 4, 2001: 61.

Lack, Jessica. “Peter Blake: One Man Show.” World of Interiors (January 2010).

Lambirth, Andrew. “Peter Blake, Patrick Caulfield, Howard Hodgkin: Paintings from the 60’s and 70’s.” What’s On in London (March 1995): 15–22.

Lambrith, Andrew. “Pop Art Peter Perfectly Pitched.” Art Newspaper, no. 205 (September 2009): 48.

Lambirth, Andrew. “Something Old, Something New.” Spectator, August 3, 2011: 44–45.

Lambirth, Andrew. “Thirty Years On.” RA Magazine, no.32 (Autumn 1991) 36–37.

Lambirth, Andrew. “We Loves You.” What’s On, October 30, 1996: 8–9.

Lane, Mary M. “Beyond Sgt. Pepper.” Wall Street Journal, November 15, 2012.

Larrauri, Eva. “Una Crónica de la Cultura Pop.” El País (Spain), March 4, 2008.

Laverne, Lauren. “Blake’s 10…” Grazia (November 2010).

Lee, David. “In Profile: Peter Blake.” Art Review (October 1996): 20–22.

Lee, David. “The Art of Selling.” Art Review (May 1993): 36–39.

Lee, David. “Something Old, Something New.” Art Newspaper, no.224 (May 2011): 75.

Lee, Vinny. “Magical History Tour.” Times Magazine, February 9, 2008: 76–80.

Leffingwell, Edward. “Peter Blake at Paul Morris.” Art in America (January 2003): 107.

Levy, Paul. “Mysteries From Cotan to de Kooning.” Wall Street Journal, March 17, 1995.

Lewis, Gloria. “At the Galleries.” This is London (March 11, 1983).

Lewy, Ruth. “Visual Art: Peter Blake Picks His 5 Favourite Curios.” Times, September 25, 2010.

Ley, Rebecca. “Tate Modern: The Remix.” Times Magazine, April 29, 2006: 22–27.

Livingstone, Marco. “L’héritage du Pop Art Anglais - Leurres: Voir Double.” Art Press, no.160 (July/August 1991): 18–25.

Livingstone, Marco. “Team 2001.” RA magazine (Summer 2001): 36-38.

Llaregubb. “Peter Blake Illustrates Dylan Thomas’ Under Milk Wood.” CCQ Magazine, November 30, 2013.

Lloyd-Smith, Harriet. “Inside pop art star Peter Blake’s studio of curiosities.” Wallpaper*, June 21, 2021.

“Local Artist at the Tate.” Gravesend and Dartford Reporter, January 14, 1983.

Lodge, Cissy. “Images of Sixties Britain.” Newsline, February 10, 1983.

“London People.” Livingetc (June 2011): 9.

“London: Peter Blake, Tate Gallery.” Arts Review, February 18, 1983.

“London’s Museum of Everything Challenges Art.” National, November 29, 2010.

López, Joel. “La Mirada ‘Popular’ de Peter Blake Invade Bilbao.” ADN, March 4, 2008.

Loppert, Susan. “Art and Drugs and Rock ‘n Roll.” RA Magazine, no.38 (Spring 1993): 50.

Lubbock, Tom. “Under the Influence.” Independent, July 12, 1988.

Lubbock, Jules. “What Grounds?” New Statesman, September 4, 1981: 24.

Lucie-Smith, Edward. “In View.” Art and Artists 12, no. 4 (July 1977): 10.

Lucie-Smith, Edward. “Realism Rules! O.K.?” Art and Artists 2, no. 6 (September 1976): 8–9.

Lucie-Smith, Edward. “Scotland the Brave.” Art and Artists 12, no. 6 (October 1977): 40–43.

Lucie-Smith, Edward. “Two Academies.” Art and Artists 2, no.4 (1976): 5–6.

Lujanbio, Nere. “Pixatokiaren Omenez.” Diario Berria, April 19, 2008.

Luke, Ben. “The Artist as Collector, Barbican Art Gallery.” Evening Standard, February 16, 2015.

Lutyens, Dominic. “Perfect Weekend: Peter Blake.” Financial Times, March 2006: 70.

Lycett, Andrew. “Peter Blake: Drawing Under Milk Wood.” The Guardian, November 22, 2013.

Lynton, Norbert. “Addressing Pop Art.” RA Magazine, no.32 (Autumn 1991): 25–29.

Lyttelton, Celia. “My Greatest Work of Art.” High Life (British Airways), May 1998.

MacRitchie, Lynn. “Peter Blake.” City Limits (London), March 4, 1983.

“Madcap Collection Set to be Assembled Again at Museum.” Cornish Guardian, October 13, 2010.

“Magnificent Obsessions.” Frieze (April 29, 2015).

“Magnificent Obsessions.” GQ Magazine (March 1, 2015).

Manning, Craig. “Sir Peter Blake Puts Razzle Dazzle on Mersey Today.” Wirral Globe, April 2, 2015.

Manson, Katrina. “My Hols.” Sunday Times, September 28, 2003: 20.

McEwen, John. “Mushy.” Spectator, May, 7, 1977: 31–32.

McLean-Ferris, Laura. “Everyday Surrealism with a Common Touch.” The Independent, December 10, 2010.

McNay, Michael. “Blake’s Jerusalem.” The Guardian, November 20, 1969.

Melly, George. “Pop Record.” Art Review (April 1993): 34–38.

Melville, Robert. Architectural Review 123, no. 735 (April 1958): 278–79.

Melville, Robert. Architectural Review 132, no. 785 (July 1962): 58–59.

Melville, Robert. Architectural Review 134, no. 798 (August 1963): 133.

Melville, Robert. “English Pop Art.” Quadrum, no.17 (1964): 23–28.

Melville, Robert. “Exhibitions: Painting and Sculpture.” Architectural Review 127, no.760 (June 1960): 422–24.

Melville, Robert. “Fear of the Banal.” Architectural Review 135, no. 806 (April 1964): 291.

Melville, Robert. “Nice People.” New Statesman, November 5, 1965: 707.

Melville, Robert. “Peter Blake and the Fairies.” New Statesman 78, no. 2021 (December 5, 1969): 835.

Melville, Robert. “Pom-Pom.” New Statesman, August 6, 1965: 196.

Melville, Robert. “The Durable Expendables of Peter Blake” Motif, no.10 (1962): 15–29.

Melville, Robert. “The Case for Fraser.” New Statesman, July 14, 1967: 61.

Melville, Robert: “The New Classicism.” Architectural Review 139, 826 (February 1966): 145–47.

Melville, Robert. “The Word as Decoration.” Architectural Review 160, no. 953 (July 1976): 51–54.

Melville, Robert. “Two Romantic Realists.” Architectural Review 147, no. 876 (February 1970): 150–52.

Menéndez, Alejandro H. “La Originalidad de Peter Blake.” Revista Tendencias del Mercado del Arte (April 2008).

Mervyn, Levy. “Peter Blake: Pop Art for Admass.” Studio International 166, no. 847 (November 1963): 184–89.

Metken, Sigrid. “Facteur Chevals Posttasche: die Bildpostkarte in der Kunst.” Das Kunstwerk 27, no. 1 (January 1974): 7.

McHugh, Fionnuala. “Blake’s Progress.” Telegraph Weekend Magazine, January 5, 1991.

Michell, John. “The Ruralists.” Resurgence, no. 87 (July–August 1981): 8–9.

Miller, Sandra. “Peter Blake: Work in Progress.” Art Press, no.87 (December 1984): 14–16.

Moncrieff, Elspeth. “Past Master.” Sunday Express, June 12, 1994: 14–17.

Moorhouse, Paul. “Peter Blake. One Man Show.” Burlington Magazine (August 2009): 555–56.

Morgan, Stuart. “Europop (Le Pop Art N’est Pas Né au Pays de l’Oncle Sam).” Beaux-Arts, no. 93 (September 1991): 76.

Moynahan, Bryan. “Brotherhood of Ruralists.” Sunday Times Magazine, October 3, 1976: 78–84.

Moyse, Arthur. “Genesis Versus The Royal Academy.” Anarchist Fortnightly Freedom 52, no.19 (October 1991): 5.

Mullaly, Terence. “Contemporary Characteristic Shared.” Daily Telegraph, May 17, 1977.

Mullins, Charlotte. “Collection Box.” RA Magazine, no.80 (Autumn 2003): 36–37.

Murkett, Tracey. “Sir Peter Blake: Still Inspired at 70.” Artists and Illustrators (May 2003): 16–19.

“My Favourite Room…” Bonhams (Winter 2010): 80.

Nayeri, Farah. ‘‘Magnificent Obsessions’ Show at the Barbican Explores Portraits of the Artist as Collector.” New York Times, February 18, 2015.

—. “Peter Blake, ‘Sgt. Pepper’ Artist, Still Going in and Out of Style.” New York Times, December 21, 2015.

Nemeczek, Alfred. “Pop Art: Als Die Szene Noch Brodelte.” Art: Das Kunstmagazin 10 (October 1991): 46.

Neve, Christopher. “Crazy Said Snow White, Peter Blake and the Pop Art Revolution.” Country Life, December 18, 1969: 1658–60.

“New Exhibitions: Magnificent Obsessions.” Elle Magazine, March 1, 2015.

New Statesman, March 4, 1983.

Nordland, Gerald. “Europe in California.” Arts Magazine 37, no.9 (May–June 1963): 16–18.

“Now We Are 64: Peter Blake at the National Gallery.” The Week, October 2, 1996.

O’Brien, James. “Council May Spend £1,800 on Painting of Cigarette Packet.” Daily Telegraph, August 15, 1980: 2.

“Odd Man Out in Pop.” Apollo 117, no. 252 (February 1983).

Odgers, Caroline. “A Move to the Country: the Brotherhood of Ruralists.” Country Life (April 23, 1981): 1112–13.

Overy, Paul. “On the Streets.” Listener 78, no. 1998 (July 1967): 45.

Overy, Paul. “Peter Blake: Un Certain Art Anglais.” Art Monthly 64 (March 1983).

Overy, Paul. ”Superstars for a Day: the Rise of Pop Art in England.” The Times, June, 2, 1976: 12.

Overy, Paul, and Petter Fuller. “Un Certain Art Anglais: Peter Blake.” Art Monthly 64 (March 1983).

Packer, William. “A Wealth of Ideas.” Financial Times, October 8, 1996: 17.

Padin Otero, Roman. “Retrospectiva de Peter Blake – Elegías del Conocimiento.” Suplemento Cultural Mugalari – Gara, March 15, 2008.

P. B. “B & B at the Tate.” What’s On and Where to Go (London), February 17, 1983.

Packer, William. “Kitaj, Dine and Blake.” Financial Times, May 7, 1977: 9.

Packer, William. “Ruralists.” Financial Times, April 21, 1981: 19.

Palmer, Richard. “Portrait of Queen that Paints a Growing Likeness to Her Mother.” Express, May 29, 2012.

Parsons, Emma. “Peter Blake Interviewed.” Arts Review Year Book (1983): 46–47.

Peasnall, Eve. “Lose your Heart to Pop Art.” The Times, September 21, 2002: 12.

Pena, B. “Peter Blake, ‘Padrino’ del Arte Pop Británico, en el Museo de Bilbao.” Periódico Estrategia Empresarial, March 16, 2008.

“Peppered with Genius.” The I, November 17, 2010.

“Peter Blake.” Bijutsu Techno (Japan) 40, no. 596 (July 1988): 188–89.

“Peter Blake.” House & Garden, November 2004: 16.

“Peter Blake.” London Weekly Diary of Social Events, March 6, 1983.

“Peter Blake.” Revista Álbum Letras-Artes, May 2008.

“Peter Blake.” Sotheby’s European Newsletter (June/July 1985): 4.

“Peter Blake.” The Art Newspaper 5, no. 37 (April 1994): 21.

“Peter Blake.” The Sunday Telegraph, February 13, 1983.

“Peter Blake.” The Times, March 5, 1983.

“Peter Blake.” This is London, February 10, 1983.

“Peter Blake – Exposición Retrospectiva.” Diario la Tribuna de Guadalajara, May 23, 2008.

“Peter Blake –Exposición Retrospectiva.” Revista Crítica, June 2008.

“Peter Blake in Hollywood.” Sunday Times Magazine, November 15, 1964: 27–31.

“Peter Blake on Bernard Perlin’s Orthodox Boys.” The Guardian, September 19, 1995.

“Peter Blake, ‘Padrino’ del Arte Pop, Expone en el Bellas Artes.” El Nervión, March 4, 2008.

“Peter Blake: Retrospectiva.” Revista on Diseño, May 2008.

“Peter Blake ‘Side-show:’ a Series of Five Wood Engravings.” Print Collector’s Newsletter 10, no. 3 (July/August 1979): 92.

“Peter Blake: Still Topping the Pops.” Sunday Standard (Glasgow), February 20, 1983.

“Peter Blake: The Household Name.” The Sunday Times, April 23, 1995.

“Peter Blake: The People’s Painter.” Christie’s, June 1, 2016.

“Peter Draws the Crowds.” Kent Evening Post, February 17, 1983.

“Peter the Painter.” Art Review 46 (April 1994): 14.

“Peter the Painter.” Ritz Newspaper, March 1985.

Philby, Charlotte. “All Good Things.” The Independent, February 7, 2015.

Phillips, Sam. “Papas of Pop.” RA Newspaper (Autumn 2004): 12.

Pietsch, Hans. “Peters Pop-Kabinett.” Das Kunstmagazin (September 2007): 66–73.

Pile, Stephen. “A Short Lesson on Peter Blake.” Punch, September 28–October 4, 1996: 70–71.

Pincus, R. “Contemporizing the Figure: Peter Blake, R.B. Kitaj, F. Auerbach, Francis Bacon, Leon Kossoff.” Artweek 10, no. 42 (December 1979): 16.

“Pioneer of Denim.” Listener, February 24, 1983.

Planck, Alan. “Art and TV.” Arts Review, February 18, 1983.

Pitman, Joanna. “When the Hippy Met the Yuppie.” The Times, November 22, 2005: 21–23.

“Pop Art.” Art (Germany), no. 10 (October 1991): 33–56.

“Pop Art’s Pepper Creator Becomes a Knight.” Yorkshire Post, October 11, 2002.

“Pop Goes the Easel.” Kent Life, October 1, 2013.

“Pop Goes the Tate.” Daily Telegraph, February 10, 1983

“Pop Star: Peter Blake.” Independent, May 31, 2008.

‘Portraits of an Era.” Independent, June 4, 2007: 16.

Powell, Neil. “Magnificent Obsessions: Review.” Wall Street International, April 13, 2015.

“Preview 2007.” RA Magazine, no. 93 (Winter 2006): 16–17.

“Profile: Peter Blake: Artist.” Museums Journal (May 2011).

“Pulling the Strings: Pop Artist Opens Museum for Myself show.” Financial Times, May 13, 2011.

“Q&A: James Brett, Founder of The Museum of Everything, London.” Monocle (October 2010).

Radcliffe, Philip. “Art of Success: Elvis Gets in the Show,” Daily Mail, December 11, 1961: 10.

Rayner, Richard. “Peter Blake: Work in Progress.” Time Out, February 18, 1983.

Razaq, Rashid. “The artist is paying homage to the area with a new display in the style of his iconic Beatles cover.” Evening Standard, November 22, 2017.

Redondo, Maite. “El Bellas Artes de Bilbao Acoge una Retrospectiva de Peter Blake, el ‘Padrino’ del Arte Pop.” Noticias de Álava, March 4, 2008.

Redondo, Maite. “Peter Blake, el Padrino del Pop Art, en el Bellas Artes.” Diario Deia, March 4, 2008.

Reichardt, Jasia. “Modern Art in London.” Apollo 75, no. 442 (December 1961): 199–200.

Reichardt, Jasia. “Towering Over his Toy Town.” Building Design, March 18, 1983.

Reyntiens, Patrick. “Galleries.” Tablet, November 23, 1996.

Richman, Simmy. “We’d Like to Take You Home with Us…the Truth Behind the Beatles’ Sgt Pepper Cover.” Independent, February 22, 2015.

Rifkind, Hugo. “Wallflower at the Sixties Party.” The Times, June 17, 2009: 14–15.

Roberts, Eric, “An Old Master’s Pick of the Pops.” Yorkshire Post, August 28, 2002: 13.

Roberts, Keith. “Current and Forthcoming Exhibitions: London.” Burlington Magazine 106, no. 732 (March 1964): 137–42.

Roberts, Keith. “Current and Forthcoming Exhibitions: Bristol.” Burlington Magazine 111, no. 801 (December 1969): 781.

Roberts, Keith. Burlington Magazine 119, no. 891 (June 1977): 459–63.

Roberts, Keith. “Blake, Dine, Hamilton/Arts Council Gallery.” Varsity, January 20, 1968: 17.

Robertson, Bryan. “Innocence and Experience: Peter Blake and Brett Whitely.” Spectator, November 5, 1965: 586.

“Rocking at the Tate.” Standard, January 6, 1983.

Rodrigue, Celia. “El País de las Maravillas.” Periódico Bilbao, April 2008.

Rogers, Sam. “Sir Peter Blake’s Dazzle Ferry Adds a Splash of Colour to the Mersey.” Wallpaper*, April 7, 2015.

Rose, Andrea. “Peter Blake: A Good Museum Case.” London Magazine 23, no. 3 (June 1983).

Russell, John. “Art News from London: Williams, Blake.” Art News 61, no. 6 (October 1962): 49.

Russell, John. “Art News from London.” Art News 64, no. 8 (December 1965): 36.

Russell, John. “Best of Boys.” The Sunday Times, December 10, 1970: 37.

Russell, John. “Best of Boys.” The Sunday Times, December 10, 1972: 37.

Russell, John. “London/NYC: the Two-Way Traffic.” Art in America 53, no. 2 (April 1965): 134–36.

Russell, John. “Pioneer of Pop Art (People of the 60’s).” The Sunday Times, February 4, 1962: 16–17.

Russell, John. “Pro-American Activities.” The Sunday Times Weekly Review, no. 419 (July 25, 1965): 32.

Russell Taylor, John. “Take Your Seats, the King of Pop is Back.” The Times, October 8, 2005: 36–37.

Rydon, John. “Pop of Pop Art.” Daily Express (Scottish edition), February 17, 1983.

Rykwert, Joseph. “Mostre a Londra.” Domus, no. 433 (December 1965): 34.

S. G. “Peter Blake: the Daddy of the Pops.” Ms London, February 7, 1983.

Sadler, Victoria. “Magnificent Obsessions: The Artist as Collector at Barbican Centre.” Huffington Post, March 29, 2015.

Sáenz de Gorbea: Xabier. “Retrospectiva de Peter Blake.” Diario el Correo, March 8, 2008.

Sager, Peter. “Titania Lasst Grussen.” Zeit Magazin, no.13, March 25, 1983.

Sansom, John. “Art in Focus.” Bristol and West Country Illustrated (July 1977): 16–17.

Satchell, Tim. “Blake’s Progress.” The Magazine, March 1983.

Schjeldahl, Peter. “Art: Peter Blake.” The New Yorker 95, no. 10 (2019): 14.

Schwabsky, Barry. “Open Season.” Art in America (October 2002): 69–71.

Schwabsky, Barry. “Peter Blake by Natalie Rudd.” Bookforum 10, no. 3 (Fall 2003): 51.

Schwabsky, Barry. “Previews: Peter Blake.” Artforum 45, no. 9 (May 2007): 170.

Searle, Adrian. “The Aping of Art.” The Guardian, October 1, 1996: 10.

Seddon, Richard. “Wearing the Pop Badge.” Yorkshire Post, February 14, 1983.

Sellick, Hattie. “Pop Art Still Rocking!” Beaver, November 12, 1996: 13.

“Sentiment and Nostalgia.” Times Educational Supplement, February 18, 1983.

Sewell, Brian. ‘Pass the Sick Bag, Peter.” Evening Standard, October 31, 1996: 23.

Shepherd, Michael. “Authority and Obscurity: Figuring it Out.” Sunday Telegraph, May 1, 1977.

Shone, Richard. “Exhibition Reviews: Royal Academy of Art Pop Show.” Burlington Magazine 133, no. 1065 (December 1991): 856–57.

Sillars, Lawrence. “Ascenso del Pop Art Británico.” El Correo (Spain), March 1, 2008.

Simon, Sidney. “From England’s Green and Pleasant Bowers.” Art News 64, no. 2 (April 1965): 28–31, 64–65.

Sims, Josh. “Peter the Painter.” Wonderland (September/October 2005): 140-147.

“Sir Peter Blake at The Museum of Everything.” Dossier, October 22, 2010.

“Sir Peter Blake Creates ‘Dazzle’ Look for Mersey Ferry.” BBC News Liverpool, February 2, 2015.

“Sir Peter Blake’s Queen on Radio Times.” Telegraph, May 29, 2012.

‘Sir Peter Blake Unveils Dazzle Print for Liverpool Biennial.” BBC Online, March 1, 2016.

Skidmore, Maisie. “Warhol and Cookie Jars? The Barbican’s New Show Looks at Artists’ Collections.” It’s Nice That, February 12, 2015.

Smart, Jonathan. “Blake’s Progress.” Nottingham Evening Post, September 14, 2002: 3–5.

Sooke, Alastair. “Magnificent Obsessions, Barbican, Review: ‘Delightful.’” Telegraph, February 13, 2015.

Spencer, Charles. “Carnival of Curiosities.” Daily Telegraph, December 6, 2010.

Spence, Rachel. “Outsiders Come in From the Cold.” Financial Times, October 16, 2010.

Spence, Rachel. “Rachel Spence visits Magnificent Obsessions.” Financial Times, February 13, 2015.

“State of the Art: Peter Blake and James Brett.” AnOther, October 26, 2010.

“Step Inside the Collections of Art’s Greats at Barbican’s New Exhibition, Magnificent Obsessions.” Islington Gazette, February 19, 2015.

Stephens, Chris. “Art and the Sixties: Still Swinging After All These Years?” Tate Etc. (Summer 2004): 87.

Stockwood, Jane. “Art: Peter Blake, Portal Gallery.” Queen 221, no. 5499 (October 30, 1962): 20.

Steven, Carly.“Magnificent Obsessions: The Artist as Collector – art review.” City A.M., February 20, 2015.

Sturges, Fiona. “Pop Idol.” The Independent, May 2, 2009.

Sumpter, Helen. “Peter Blake Talks to Helen Sumpter About His Conceptual Retirement.” University of the Arts London Magazine (Spring/Summer: 2006): 21–22.

Sumpter, Helen. “Sir Peter Blake’s Curiosity Shop.” Time Out, September 2010: 23–29.

Swann, F. “Peter Blake.” Arts Review 21, no. 24 (December 6, 1969): 798.

Sweatman, Fay. “Peter the Painter: Live at the Tate.” Brentford and Chiswick Times, February 4, 1983.

Tait, Simon. “Inside the Jumbled Mind of Peter Blake.” Independent on Sunday, May 8, 2011.

Talbot, Linda. “Real Chimp off the Old Block.” Hampstead & Highgate Express, October 25, 1996.

Talbot, Linda. “Something Devilish in Devizes.” Hampstead & Highgate Express, August 21, 1981: 54.

Taylor, Joel. “Life after Pepper.” West End Extra, November 4, 2005: 14.

“The Brotherhood Ends with Five Nude Self-Portraits.” Sunday Telegraph Magazine, February 6, 1983.

“The Brotherhood of Ruralists.” Country Life (June 23, 1977): 173.

“The Museum of Everything.” Art Review (October 2010).

“The Register.” The Times, July 2, 2004: 42.

The Tablet, February 19, 1983.

Thomas, Gina Von. “Der Hamsterer des Allerlei in seiner Höhle.” Frankfurter Allgemeine, December 5, 2010.

Thuillier, Rosalind. “Peter Blake.” Arts Review 31, no. 7 (April 1979): 192.

Tuchman, Maurice. “European Painting in the Seventies.” Art and Artists 10, no. 8 (November 1975): 46.

Usherwood, Nicholas. “Blake’s Progress.” RA Magazine (Spring 1986): 12–13.

Usherwood, Nicholas. “Peter Blake.” Galleries Magazine (December 2010): 16.

Vaizey, Marina. “A World of Self Portraits.” The Sunday Times, May 8, 1977: 38.

Vaizey, Marina. “Elegy for a Country Garden.” The Sunday Times, April 19, 1981: 41.

Vaizey, Marina. “Jim Dine and Peter Blake.” Arts Review 29, no. 8 (April 15, 1977): 253–54.

Vaizey, Marina. “The Magic of Familiar Things.”The Sunday Times, February 13, 1983.

Vicent, Francisco. “Peter Blake. Retrospectiva.” Diario la Tribuna de Guadalajara, April 11, 2008.

von Joel, Mike. “Peter Blake: In Retrospect.” Art Line Newspaper, no.2 (November 1982): 5–7.

Von Graevenitz, Antje. “Museen und Galerien: Niederlande.” Pantheon 32, no. 1 (January/February/March 1973): 98.

Voss, Julia. “Damien Hirst ist ein Genie! Papa der Pop-Art: Wer die Gegenwartskunst Verstehen Will, Sollte Mit Peter Blake Sprechen.” Frankfurter Allgemeine Zeitung, August 9, 2007: 33.

Wallis, Neville. “Designs for Tomorrow.” The Observer, August 12, 1956: 10.

Walse, John. “Blake’s Heaven.” Independent Magazine (October 1, 2005): 32–37.

Waters, Florence. “Beauty of the Everyday.” Daily Telegraph, October 16, 2010.

“Welcome to the House of Fairy Tales: Blake’s Progress.” times2, The Times, May 22, 2009: 1–3.

Whitney, Hilary. “My Best Teacher: Peter Blake.” Times Educational Supplement, November 12, 2010: 8.

Whittet, G. S. “No More an Island, London.” Studio International 170, no. 872 (December 1965): 242–45.

Whittet, G. S. “The Liverpool Biennial.” Studio 63, no. 826 (February 1962): 70–71.

Wigan, Lilias. “Exhibition Review: Magnificent Obsessions.” Country Life (March 3, 2015).

Willis, Abigail. “Madonna in California.” Church Times, October 25, 1996.

Wilson, Antonia. “Magnificent Obsessions at the Barbican.” Creative Review, February 18, 2015.

Winter, Peter. “Peter Blake.” Das Kunstwerk 27, no. 2 (March 1974): 44–45.

Wong, Henry. “A new Peter Blake book is designed to celebrate the artist’s “DNA and essence.” Design Week, June 10, 2021.

Woods, Richard and Jason Burke. “Chimp of the Old School Hangs in the National Gallery.” Sunday Times, September 29, 1996.

“Works of Art You Have Helped to Buy.” Art Quarterly (Autumn 2006): 14–23.

Wright, Barbara. “Peter Blake.” Arts Review 24, nos. 25/26 (December 16, 1972): 780–81.

Wroe, Nicholas. “A life in Art: The Bigger Picture.” Saturday Guardian, January, 21, 2006: 11.

Wullschläger, Jackie. “The artist as Collector at the Barbican,” Financial Times, February 13, 2015.

———. “Peter Blake’s Under Milk Wood drawings marry Pop Art pep with dreamy poetry.” Financial Times, June 24, 2022.

Wykes-Joyce, Max. “Peter Blake.” Art and Artists (February 8, 1983).

Zeldin-O’Neill, Sophie. “Peter Blake portrait of Glastonbury founder Michael Eavis unveiled.” The Guardian, June 25, 2022.

Zhang, Jing. “Famed British Pop Art Pioneer Sir Peter Blake on his Wartime Childhood and Storytelling in Art.” Prestige Hong Kong, June 18, 2021.

2024

8 Golden Square, Bernard Jacobson Gallery, St. James’s, London, March 15–May 4

Click Here for CV

Selected Works-Old Thumbnails
Tattooed Lady #1, 1955Ink and oil on paper collage21 x 14 inches
The Fine Art Bit, 1959Mixed media on board360x 240 1/8 x 9 7/8 inches
Sinatra Door, 1959Oil and mixed media on wood30 1/2x 19 1/8x 2 inches
Self-Portrait with Badges, 1961Oil on canvas68 5/8x 48inches
Bo Diddley, 1963–1964Acrylic on board48 1/4 x 30 7/8 inches
Le Petit Porteur, 1964–1965Cryla on board30 x 18 inches
Little Lady Luck, 1965Mixed media on board35 1/2 x 14 3/4 inches
Portrait of David Hockney in a Hollywood Spanish Interior, 1965Acrylic, graphite, and ink on canvas72 x 60 1/8 inches
The Twins in their Tea Garden, 1991Oil on board50 x 40 inches
Madonna of Venice Beach, No.1, 1994–1996Oil on canvas53 15/16 x 33 1/16 inches
Marcel Duchamp's World Tour: Playing Chess with Tracey, 2005Acrylic on canvas36 x 48 inches
Late Period: Party 1, 2018Watercolor and gouache on paper22 1/4 x 30 inches

Exhibitions

Art Basel: Miami Beach December 5 – 8, 2019
36 Works on Paper July 18 – August 9, 2019
Peter Blake: The Artist's Studio April 11 – May 18, 2019

Press

Peter Blake Featured in Art in America May 14, 2021

Download PDF

Peter Blake Featured in The Guardian May 9, 2021

Download PDF

Peter Blake Featured in Elephant May 3, 2021

Download PDF

Peter Blake Reviewed in Time Out April 29, 2019

Download PDF

Peter Blake - Artists - Garth Greenan Gallery (2024)

FAQs

What artwork did Peter Blake make? ›

He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.

Where is Peter Blake's studio? ›

Instead his gallery, Waddington Custot, are transporting his West London studio (or a large part of it) to Regent's Park. Blake's studio isn't like most artists' studios. It's more like a museum – a colossal cabinet of curiosities.

Where did Peter Blake live? ›

Blake has lived in Chiswick, London, since 1967. His "vast" studio there is a former ironmonger's warehouse.

Why is Peter Blake famous? ›

Peter Blake was born in Kent in 1932 and is best known as one of the first pop artists in Britain. In the 1950s he was one of a group of young artists who started to paint pictures and make sculptures about popular culture (or pop culture). They painted things they liked such as films, comic books, and pop music.

Who is the famous artist Blake? ›

William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age.

Where is Peters hometown? ›

His family originally came from Bethsaida in Galilee (John 1:44), but during the period of Jesus' ministry Peter lived in Capernaum, at the northwest end of the Sea of Galilee, where he and his brother St. Andrew were in partnership as fishermen with St. James and St.

Where is the Blue Peter studio? ›

On Friday 24th May, two people we support had the experience of a lifetime as they went behind the scenes at the Blue Peter studios in Salford.

Where is Peter Gabriel's studio? ›

Real World Studios is a residential recording studio complex founded by Peter Gabriel and situated in the old Box Mill building in the village of Box, Wiltshire, England, near to the city of Bath.

How tall is Peter Blake? ›

Blake and his crew won all six legs in that fifth edition – an unprecedented achievement – and the 2.03 metre-tall Blake, instantly recognisable by his blond hair and moustache, could celebrate a life-long dream fulfilled.

How old was Peter Blake when he died? ›

Blake was shot and killed by pirates while monitoring environment change on the Amazon River on 5 December 2001. He was 53 years old.

When was Peter Blake at the Royal College of Art? ›

Peter Blake attended Gravesend School of Art from 1949 to 1951. He carried out his National Service in the RAF (1951-53) going on to study at the Royal College of Art in 1953, gaining a First Class Diploma in 1956.

How did Peter Blake influence pop art? ›

Blake's influence is a difficult thing to qualify, with prolific collage designs for famous album covers, grid compositions, target paintings and above all, his influences being based in elements of popular culture that endured, it's easy to see Blake everywhere.

What kind of art did William Blake make? ›

William Blake was a Romantic-era English poet, visual artist, and printmaker. His visual art, created mostly through relief etching, intaglio engraving, tempera, and watercolor, usually featured Biblical imagery, Greek mythology, or literary allusion.

How did Blake make his illustrations? ›

Blake described his technique as “fresco.” It appears to be a form of monotype: using oil and tempera paints mixed with chalks, Blake painted the design onto a flat surface (a copperplate or piece of millboard), from which he pulled the prints simply by pressing a sheet of paper against the damp paint.

What type of art does Peter Max make? ›

Peter Max (American/German, b. 1937) is a famed illustrator and graphic artist who specializes in Pop Art and Neo Expressionism ,and is known for his generous use of vibrant colors.

Top Articles
Latest Posts
Recommended Articles
Article information

Author: Frankie Dare

Last Updated:

Views: 6171

Rating: 4.2 / 5 (73 voted)

Reviews: 88% of readers found this page helpful

Author information

Name: Frankie Dare

Birthday: 2000-01-27

Address: Suite 313 45115 Caridad Freeway, Port Barabaraville, MS 66713

Phone: +3769542039359

Job: Sales Manager

Hobby: Baton twirling, Stand-up comedy, Leather crafting, Rugby, tabletop games, Jigsaw puzzles, Air sports

Introduction: My name is Frankie Dare, I am a funny, beautiful, proud, fair, pleasant, cheerful, enthusiastic person who loves writing and wants to share my knowledge and understanding with you.